Nor is Osiris seen
In Memphian grove, or green,
Trampling the unshower'd grass with lowings loud:
Nor can he be at rest
Within his sacred chest;
Nought but profoundest Hell can be his shroud;
In vain with timbrell'd anthems dark
The sable-stoléd sorcerers bear his worshipt ark.
He feels from Juda's land
The dreaded Infant's hand;
The rays of Bethlehem blind his dusky eyn;
Nor all the gods beside
Longer dare abide,
Not Typhon huge ending in snaky twine:
Our Babe, to show His Godhead true,
Can in His swaddling bands control the damnéd crew.
So, when the sun in bed
Curtain'd with cloudy red
Pillows his chin upon an orient wave,
The flocking shadows pale
Troop to the infernal jail,
Each fetter'd ghost slips to his several grave;
And the yellow-skirted fays
Fly after the night-steeds, leaving their moon-loved maze.
But see! the Virgin blest
Hath laid her Babe to rest;
Time is, our tedious song should here have ending:
Heaven's youngest-teeméd star
Hath fix'd her polish'd car,
Her sleeping Lord with hand-maid lamp attending:
And all about the courtly stable
Bright-harness'd Angels sit in order serviceable.
J. Milton
LXXXVI
SONG FOR ST. CECILIA'S DAY, 1687
From Harmony, from heavenly Harmony
This universal frame began:
When Nature underneath a heap
Of jarring atoms lay
And could not heave her head,
The tuneful voice was heard from high,
Arise, ye more than dead!
Then cold and hot and moist and dry
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.
What passion cannot Music raise and quell?
When Jubal struck the chorded shell
His listening brethren stood around,
And, wondering, on their faces fell
To worship that celestial sound.
Less than a god they thought there could not dwell
Within the hollow of that shell
That spoke so sweetly and so well.
What passion cannot Music raise and quell?