He was opposed by Galgacus at the head of a numerous army, whom he defeated in a decisive action, in which considerable numbers were slain. Being thus successful, he did not think proper to pursue the enemy into their retreats; but embarking a body of troops on board his fleet, he ordered the commander to surround the whole coast of Britain, which had not been discovered to be an island till the preceding year. This armament, pursuant to his orders, steered to the northward, and there subdued the Orkneys; then making the tour of the whole island, it arrived in the port of Sandwich, without having met with the least disaster.
During these military enterprises, Agricola was ever attentive to the arts of peace. He attempted to humanize the fierceness of those who acknowledged his power, by introducing the Roman laws, habits, manners, and learning. He taught them to desire and raise all the conveniences of life, instructed them in the arts of agriculture, and, in order to protect them in their peaceable possessions, he drew a rampart, and fixed a train of garrisons between them and their northern neighbors, thus cutting off the ruder and more barren parts of the island and securing the Roman province from the invasion of a fierce and necessitous enemy. In this manner the Britons, being almost totally subdued, now began to throw off all hopes of recovering their former liberty, and, having often experienced the superiority of the Romans, consented to submit, and were content with safety. From that time the Romans seemed more desirous of securing what they possessed than of making new conquests, and were employed rather in repressing than punishing their restless northern invaders.
CLEOPATRA'S CONQUEST OF CÆSAR AND ANTONY
B.C. 51-30
JOHN P. MAHAFFY
Several Egyptian princesses of the line of the Ptolemies bore the name of Cleopatra, but history, romance, and tragedy are all illumined with the story of one—Cleopatra the daughter of Ptolemy Auletes. Born at Alexandria, B.C. 69, she ruled jointly with her brother Ptolemy from 51 to 48. Being then expelled by her colleague, she entered upon the performance of her part in Roman history when her cause was espoused by Julius Cæsar, whom she had captivated by her charms. Her reinstatement by the help of Cæsar, as well as all that followed in her relations with Roman rulers, was due primarily to personal considerations, rather than political or military causes; and among women whose lives have vitally influenced the conduct of great historic leaders, and thereby affected the course of events, Cleopatra holds a place at once the most conspicuous and most unique.
Like Cæsar, Mark Antony, at his first interview with Cleopatra, succumbed to the fascinations of the "Rare Egyptian," and he never after ceased to be her slave. Not long after Cæsar's death Antony had married Fulvia, whom he deserted for the "enchanting queen." From this point to its culmination in overwhelming disaster and the tragic death of this celebrated pair of lovers, the romantic drama of Cleopatra's conquests becomes even more important in literature than in history. This extraordinary voluptuary, whose beauty and witcheries have interested mankind for almost twenty centuries, has been the subject of some thirty tragedies in various languages; and in Antony and Cleopatra—one of his greatest plays—Shakespeare, closely following the narratives of Plutarch and other classical writers, has invested her with a potency of charm unparalleled among literary creations.
She matches Antony in qualities of intellect, while she dazzles him with her coquettish arts. "A queen, a siren," says Thomas Campbell, "a Shakespeare's Cleopatra alone could have entangled Shakespeare's Antony." And Shakespeare alone, as declared by Mrs. Jameson, "has dared to exhibit the Egyptian Queen with all her greatness and all her littleness, all her paltry arts and dissolute passions, yet awakened our pity for fallen grandeur without once beguiling us into sympathy with guilt."
Yet the plain history of this "Sorceress of the Nile," with her "infinite variety," as told by Plutarch and the other ancients, and retold, with whatever advantages gained from critical research, by the modern masters, makes the same impression of moral contrast and inscrutability as that imparted by the greatest poet who has dramatized the character of Cleopatra.