There was hardly a Frenchman of eminence in this period who did not either visit England or learn the English language, many doing both. And one so bright and receptive as Voltaire could not fail to notice many things. He could see how free thought was: he could make a contrast between the respect paid to letters in London, and their degradation under Louis XIV and later; he saw Newton and Locke in places of honor, Prior and Gay acting as ambassadors, Addison as secretary of state; he reached England in time to see the national funeral given to the remains of Newton. Bolingbroke took him in hand; he was astonished to find a learned and literary noblesse; Locke was his true teacher.
He went back to France another man, after three years' absence: above all, he carried with him the then popular English way of thinking as to the supernatural, and became a somewhat cold, common-sense deist, opposed to the atheism of some and the dull bigotry of the established creed in the hands of others. God was to him conscious creator of the world, and only faintly, if at all, its ruler; he recognized the need of a deity as a starting-point for his system, though he did not feel the need of his care and presence in life; not God our Father, only God our Creator.
He brought over with him a great ripening of humane feelings: this is his noblest quality and parent of his best acts. When we see him as a champion of oppressed Huguenots, combating wrong and ill-doing with all the vehemence of his fiery soul, we find a common ground, which is lost sight of as we contemplate his equally hot attacks on Christianity, or his dwelling in kings' courts, or his panegyrics on great sovereigns who had so fiercely crushed down that liberty of thought of which he was the life-long defender.
In his Œdipus he had assaulted priestcraft with not undeserved severity; we must always remember what he saw around him. In his Henriade (1725), perhaps almost unintentionally, he had glorified Henry IV at the expense of the Great Monarch. After his stay in England we have his Brutus (1730), an attack on kingcraft, and his Zaïre (1732), a Parisian Othello, both based on Shakespeare. From this time onward he plunges into a supple and dexterous, if sometimes rather disingenuous, strife with a superior power. Throughout, the poet and man of taste struggles against the philosophic freethinker: he loves the surface impressions, perhaps the reflective illusions; "his sentiments are worth more than his ideas." The English Letters of 1735, written some years before, and now issued with much hesitation, created a great storm: they boldly attacked the royal power, the clergy, the faith; they were burned by the hangman; and Voltaire had to go into voluntary exile for a while. There his literary activity was unwearied: many of his works were written, or at least sketched, during the next five years. Strange problem of the human mind. While he here composed his Mahomet and other serious works, he also wrote his scandalous Pucelle; as if he could not rest without destroying all nobility of sentiment and faith in heroism. While Jeanne d'Arc is the helpless victim of his shameless attack, he is also busy with his Siècle de Louis XIV, a hero apparently more to his taste than the great Maid of Orléans.
The influence of Voltaire on opinion grew slowly but steadily through these years: no one more sedulously undermined the established faiths. It was in these years that he enjoyed a passing favor at the French court, whence his febrile energy, his roughnesses, his want of the true gloss of courtiership, soon lost him the good-will of his old friend Madame de Pompadour. He then tried Berlin, finding it equally untenable ground; eventually he withdrew to Ferney in the territory of Geneva, whence he kept up incessant war against all the injustices which touched his heart. His defence of Calas, of Servin, of the luckless Lally, all date from this time. In these days he animated the Encyclopædists with his spirit, encouraging them in their gigantic undertaking, the "Carroccio of the battle of the eighteenth century." It was a huge dictionary of human knowledge, written in direct antagonism to all belief in spiritual powers or religion. It sold incredibly, and the effect of it on society was immense. This great edifice, "built half of marble, half of mud," as Voltaire himself said, had as its chief architects Diderot and D'Alembert. Nothing contributed more to undermine the foundations on which all institutions, and not least royalty, were built.
A little later than Voltaire came Rousseau, "the valet who did not become a cardinal." His influences are also later, and touched society far more widely. Voltaire had spoken to society; Rousseau spoke to the heart of the people. He was above all things a sentimentalist, this son of a Genevan clockmaker. Society treated him harshly; and he avenged himself by making fierce war on society. The savage state is the best—society being revolting in its falseness and shallow varnish: all men are naturally equal and free; society is nothing but an artificial contract, an arrangement by which, in the end, the strong domineer over the weak; the state of nature is divine: there is a Garden of Eden for those who will cast society behind them. Sciences and arts, civilization and literature, Encyclopædists included, are hateful as corrupters of mankind; all progress has been backward, if one may venture to say so—downward, certainly. Rousseau embroidered these paradoxes with a thousand sweet sentiments: he shut his eyes to history, to facts, to the real savage, the very disagreeable "primitive man," as he may yet sometimes be seen. "Follow nature" was his one great precept: then you will scourge away the false and conventional, and life will grow pure and simple; there will be no rank, no cunning law devised to keep men from their rights, no struggle for life, no competition. All France panted and groaned to emulate the "noble savage"—with what success, we know.
These were the chief literary luminaries of this time: and they all helped to pull down the fabric of the old society. That society, however, little understood the tendency of things; to a large extent it became the fashion to be philosophic, to be free-minded, to attack religion: with pride in their rank, and cold scorn for their humbler brethren, and high-bred contempt for their clergy, and ruinous vices sometimes made amusing by their brightness and their vivacious vanity, the French upper classes thought it great sport to pull merrily at the old walls of their country's institutions, never dreaming that they could be so ill-ordered as to fall down and crush them in their ruin.
FOOTNOTES:
[31] Vauban and Boisguillebert are both to be found in Les Economiste Financiers du XVIIIième Siècle, published by Guillaumin, 1851.
[32] Confessions, pt. i. liv. v. Date of 1736.