But stronger still was Catharine's overmastering desire to play to the applause of Europe. She had conceived herself as the heroine of a grandiose drama. It was her ambition to be the "Grand Monarque" of the North, and to show the Paris of Louis Quinze that the age of Olympian sovereignty was not yet past. Hence her sensitiveness to Western opinion, her assiduous court to the men of intellect, her anxiety to be admired and feared in Europe. Nowhere is this pose, this consciousness of a gallery, more evident than in the sphere of foreign policy. The great Peter had fulfilled the dream of Ivan in reaching the Baltic, and so, in her wars with the Turk, Catharine realized the aim of Peter by forcing her way to the Black Sea.
But a Hellenic empire at Constantinople haunts her dreams. She stirs up Greek against Ottoman, and her trumpeter Voltaire heralds a new Sparta and Athens; she calls her grandson Constantine, and surrounds him with Greek nurse and servants. Her famous progress southward, the most eccentric pageant in history, is typical of Patiomkin's régime. This extraordinary man—mountebank, writes the English envoy, "esprit réveur," says the keener-eyed Prince de Ligne—a barbarian, of terrific appearance; fantastic beyond the verge of madness, acquired a greater influence with Catharine than any other man of her reign. He had been created "Prince of Taurida" (the Crimea) after the conquest of the southern provinces; and was resolved to dazzle Europe and his sovereign with her new acquisitions.
In January, 1787, she set out on her triumphal journey. A huge retinue accompanied her, together with the foreign ambassadors, Cobenzl, Fitzherbert, and Ségur, the last of whom has described this strange procession. Forty miles were covered every day. There is a palace at every stopping-place; towns and villages dot what six months ago had been a howling wilderness. Painted forests seem to clothe the horizon: fertile solitudes swarm with gayly dressed peasants—imported for this occasion only. From Kiev floating pavilions carry them down the Dnieper: the prince-magician alone has a hundred twenty of his beloved musicians. Again the same mise-en-scène: operatic Cossacks rowing out from either shore, the village of yesterday in the foreground, roofless façades in the middle distance; the same reviews in successive provinces of hussars out of her own escort! The greatest of optimists saw everything and affected to see through nothing—the works of his highness surpass conception. Suddenly spring appears, glittering on the enamelled meadows and majestic river; they journey to the music of the galleys between throngs of spectators from thirty nations. Every morning a fresh scene opens, the days "travel more quickly than they themselves."
At Kanioff she is met by his majesty of Poland, none other than Poniatowski, the lover, of Peterhoff in the old days! At Kherson, on an eastern gate, appears the famous legend "The road to Byzantium"; and there it is the Holy Roman Emperor who is drawn into her train—they have already mapped out the Ottoman dominions. So with excursions and alarums eastward by Poltava of glorious memory to the new "Glory of Catharine," her city of Ekaterinoslaff; and last of all through undulating steppes to the gorgeous palace piled upon the sand at Inkerman, where after banquetings a curtain falls away, and behold—the pasteboard fortifications of Sebastopol! where a green-wood squadron anchored beneath them splutters forth its husky artillery. Splendide mendax! The West applauded frantically: never had such a travelling-show been seen in Europe.
At home, too, the cult of appearances went hand in hand with generosity and enthusiasm. "C'est presque un monde," she writes to Voltaire, "à créer, à unir, à conserver!" First comes the administration of justice, and her ukase of 1762, on its abuses, has a ring of sincerity that can hardly be mistaken. There is a real courage again in her dealings with the clergy. Four years later she summons a great assembly to Moscow to consider a new code; and her "Instruction" to the delegates, saturated as it is with Montesquieu and the rest, shows her abreast of her time. Politicians of the old school, indeed, shuddered at its array of grandiloquent maxims—"there are bombs enough in it," cried Panin, "to bring the walls about our ears." She is here, in spite of all that has been said, exactly where we invariably find her, neither a day in front of her age nor a day behind.
Reform of the ex cathedra sort was just then in the air. From the Tagus to the Dnieper, and from Copenhagen to the Vatican, Europe was crowded with paternal monarchs and earnest ministers, who were willing to do almost everything for the people and nothing by them. The world had not seen statesmen so sincere, enlightened, and plausible. A generation later, on the meeting of the National Assembly, the despotic reformation of Montesquieu and Voltaire will still seem about to be translated into action. Men read their Rousseau: soon they will understand him; they will also understand that Non de nobis sine nobis, which was the haughty motto of the Hungarian magnates.
But her attention soon became diverted. She was not, as Gunning thought, insincere, only fickle; she wanted patience and continuity of aim. The "States-General" had produced an excellent effect in the world, and, in fact, had afforded her information afterward turned to account. Her eye is on the Turk: as with the second Pitt, had it not been for this cursed war we should have seen greater things. "Beginnings—only beginnings!" exclaims an eye-witness, "there are plenty of sketches to be seen, but where is the finished picture?" Another reports that shoals of academies and secondary schools bear witness to Catharine's enthusiasm for education, but that some exist only on paper, while others seem to have everything except scholars. Things are done hastily, and without just measure or proportion; the imitative talent of the Russian does not seem to carry him quite far enough. At her death, says a historian who wrote eight years after it, most of her foundations were already in ruins; everything seemed to have been abandoned before completion. Yet we must not forget that liberal ideas were in themselves a revelation to the Russia of her days, and that after a succession of contemptible sovereigns she appeared as the first worthy successor of Peter. It was already something for a woman there to be governed by large social conceptions; has it not been said even elsewhere that the politics of women are proper names? You may say what you will: she saved the European tradition of Peter the Great, and was in a sense the creator of modern Russia.
But to her philosophic friends at Paris it mattered little whether her designs were in the parchment or any other stage. Since Voltaire had hailed her as the "Northern Semiramis," no adulation was enough to translate their enthusiasm: the "charms of Cleopatra," for example, were united in her to "the soul of Brutus." On her side she "distributed compliments in abundance, gold medals also (but more often in bronze?), and from time to time even a little money." La Harpe, Marmontel, Volney, Galiani, and many others fallen silent in these days were sharers in her bounty. She would buy the books of some specially favored and instal them at home again as "her librarians." Only one or two, D'Alembert, Raynal, stood aloof, with the mistrustful Jean Jacques, who refused the demesne of Gatschina. Diderot came to St. Petersburg in those days, declaiming for two, three, five hours with unmatched copiousness of discourse, astounding Catharine with his large argument and fiery eloquence, and entertaining her hugely by his oblivion of everything once fairly launched on his foaming torrent. The philosopher who, borne on spiritual hurricanes, would leap from his chair at Princess Dashkoff's, striding to and fro as he spat upon the floor in his excitement, forgot himself equally in the presence of "Semiramis." "In the heat of exposition he brought his hands down on the imperial knees with such force and iteration" that Catharine complained they had turned black and blue. But for all that she would egg on this strange wild-fowl. "Allons," she would exclaim, a table once set safely between them, "entre hommes tout est permis!"
As for Voltaire, his proudest title was that of "lay preacher of the religion of 'St.' Catharine." Her correspondence with him, which begins the year after her accession and continues until his death, is in truth a kind of journalism, written partly by herself, partly by others. Its object is to keep the friend of princes and dictator of literary opinion au courant with her ideas, measures, and general policy. She is not content now, however, with the applause of her generation; she aims at commanding the sources of history itself. Here she motions posterity to take its stand behind contemporaries in the church of Voltaire's foundation, while the archpriest of Ferney prostrates himself with iterated formula, "Te Cathariniam laudamus, te Dominam confitemur." For St. Catharine was an interested reader of that correspondence of Diderot's with her sculptor Falconet, whose theme is the solidity of posthumous fame. Rulihière had already written an account of the events of 1762, of which he had been an eye-witness; she had tried first to buy him, and then to have him thrown into the Bastille. She will search Venice for a pliable historian; and her own letter on the coup-d'état, together with her memoirs, shows how strong in her was that "besoin de parolier" analyzed by the great Pascal a century before. Catharine, be quite certain of it, is no earnest seeker after truth; rather "the plain man," with something of the acuteness as well as the insensibility of common-sense. The Philosophes were the interest of the cultivated "as scholars had been in one century, painters in another, theologians in a third." They had the ear of Europe, who rest now in Mr. Morley's bosom. But Catharine confessed years after: "Your learned men in 'ist' bored me to extinction. There was only my good protector Voltaire. Do you know it was he who made me the mode?"
With what a quaint inconsequence her truer self appeared at the Revolution! She, who will foresee Napoleon, was rudely shocked by the fall of the Bastille. The Revolution touched her in her tenderest point. With every year, in spite of her sentiments and cosmopolitan culture, this Princess of Zerbst became more and more fervently autocratic and Russian. She had jestingly asked her doctor to bleed away the last drop of her German blood. No one ever had a more fanatical hero-worship for the Russian himself, or a deeper enthusiasm for the greatness in his history. It was in the political sphere that her convictions play, and she had a vague but passionate belief in what she and Russia might do together. Yet here were these declaimers threatening to overrun Europe, and "Equality setting peoples at the throats of kings!" The cant about fraternity, the catch-words and sentiments, vanish like smoke. No anathemas on the Revolution were fiercer than those of the "Ame Républicaine," who had burned to restore the ancient institutions of Athens. The hostess of Diderot breathed fiery indignation against "these Western atheists"; and the nationalization of church property, the very first of her own reforms, becomes, in the men of '89, an "organized brigandage." "There is an economy of truth," said Burke. "Semiramis," like Romeo, "hung up philosophy," and the bust of her "preceptor," Voltaire, accompanied Fox to the basement!