As Bali lay prostrate on the ground his disconsolate queen, Tara, hastened to the fatal spot, with her little son Angad, and, in a passion of grief, threw herself upon the body of her husband. She gave way to the most touching sorrow and lamentation over the dying warrior and seemed inconsolable, both then and later on when performing the last rites for the deceased king. Had we seen no more of Tara she would have lived as a tender and pleasant memory in our minds; but, unfortunately, she reappears a very short time after as Sugriva’s much loved and ardent consort, and actually appears grateful to Rama for the benefit his deed had conferred upon the new king and herself.
By the time Sugriva was formerly installed in the government of Kishkindha, the rainy season came round,—a time of the year when, in a roadless country, all military or other movements were impossible. Rama, faithful to the conditions of his exile, would not enter the city, and easily contented himself with a life in the woodland, which, with its glittering fountains and laughing streams, its stately trees, sweet-throated birds and odorous flowers, he was never tired of admiring.
In return for the service rendered him by Rama, his ally Sugriva, now King of the Vanars, assembled countless numbers (hundreds of hundreds of millions!) of Vanars (monkeys and bears of different colours—white, yellow and green) and sent them forth to search for Sita. North, south, east and west, these Vanars traversed every land and searched every possible retreat. From north, east and west, were received reports of want of success; but from the south came welcome tidings of the discovery of Sita by Hanuman, one of the chief captains of the Vanar host, a son of the wind-god by a nymph of paradise. The discovery of Sita’s place of captivity was made in this way. In their active search for traces of her whereabouts, some captains of the Vanar army of the south came across Sampati, the huge brother of Jatayus, the king of the vultures, lying upon the top of a high mountain. Bulky and powerful, the bird was yet quite disabled and helpless, having had his wings scorched and destroyed in a too adventurous flight towards the sun, which he had once undertaken in a spirit of vanity and boastfulness. But even in this unhappy state, dependent for his daily food upon the filial devotion of his son, the old bird could, with his penetrating eye, see clearly to enormous distances. He had witnessed Ravana’s hurried flight through the air, with his beautiful prize, and had noted also that she had been conveyed by the Rakshasa to Lanka beyond the sea. This information he now communicated to the inquiring Vanars, and having thereby performed a signal service to the son of Dasahratha, his feathers sprouted again and he joyfully mounted once more into his native element on new and lusty pinions.
Sita’s place of captivity was thus known to the Vanar; but how to reach Lanka—separated as it was from the mainland by an arm of the sea—became the urgent problem of the hour to the Vanar commanders of the army of the south. If Sita was to be restored to the arms of Rama, it was absolutely necessary that some one should get to Lanka as a spy, in order to ascertain the facts in regard to Sita’s captivity there, and to discover the strength of Ravana’s army and his means of resisting an attack from without. Ships or even boats were, in those primitive times, not to be thought of; but the monkey could leap, and so it was proposed that some leader of the race should essay the rather long jump across the strait which separated Lanka from the continent. Who was so fitted for this undertaking as the son of the wind-god, the redoubtable Hanuman? Accordingly, after a great deal of boasting, Hanuman, assuming a gigantic size, took the flying leap. The gods were well disposed towards his brave venture, but there were also enemies on the path, who endeavoured to stop him on his way. One of these was Surasa, the mother of the Nagas, who, rushing upon him with wide-extended jaws, mockingly told him that he must pass through her mouth before proceeding any further on his journey. Hanuman dilated his person till his stature attained many leagues, but the monster’s mouth grew larger still. The cunning monkey now suddenly contracted his dimensions to the size of a man’s thumb and jumped airily into and out of Surasa’s gaping mouth. He had fulfilled his enemy’s conditions and she good-naturedly acknowledged her defeat. His next opponent, a terrific she-dragon, the fierce Sinhika, marvellously caught his shadow as it glided over the sea, and in some mysterious way retarded his progress thereby. With open mouth she made a furious onslaught upon the wind-god’s son. Hanuman, equal to the occasion, craftily contracted his dimensions, and jumping into Sinhika’s cavern-like mouth, inflicted so much injury upon her that she died. After this interruption he continued his aërial journey to Lanka, probably making Sinhika’s carcass the base of a fresh leap towards the island, though this is not expressly mentioned by the poet.
When he had reached the island-kingdom of Ravana, the Vanar spy, contracting his dimensions to those of an ordinary cat, found his way by moonlight within the golden walls of the city, and, lost in admiration, wandered about the wonderful streets of Ravana’s capital, where tonsured priests and mail-clad warriors mingled freely with bands of ascetics in deerskins, and fiends both foul and fair. Eluding the guards, Hanuman crept into the palace. Here everything was on a scale to astonish even the wind-god’s son, familiar with the glories of Kishkindha; but most of all did he find food for admiration in Ravana’s enchanted car, avowedly the most perfect work that had been produced by Visvakarma, the architect of the gods.
“There shone with gems that flashed afar,
The marvel of the Flower-named car,
’Mid wondrous dwellings still confessed
Supreme and nobler than the rest.
Thereon with wondrous art designed
Were turkis birds of varied kind,
And many a sculptured serpent rolled
His twisted coil in burnished gold.
And steeds were there of noblest form,
With flying feet as fleet as storm;
And elephants with deftest skill
Stood sculptured by a silver rill,
Each bearing on his trunk a wreath
Of lilies from the flood beneath.
There Lakshmi, beauty’s heavenly queen,
Wrought by the artist’s skill was seen
Beside a flower-clad pool to stand,
Holding a lotus in her hand.”[34]
—Griffith (bk. v., canto vii.).
The zenana or women’s apartment, guarded by she-demons,[35] which Hanuman next entered in the still hours of the night, when the feast was over, the music had ceased and all the inmates were hushed in slumber, affords the poet the opportunity of painting a charming picture, which the reader will, I am sure, thank me for reproducing here in Mr. Griffith’s agreeable version:
“He stood within a spacious hall
With fretted roof and painted wall,
The giant Ravan’s boast and pride,
Loved even as a lovely bride.
’Twere long to tell each marvel there,
The crystal floor, the jewelled stair,
The gold, the silver, and the shine
Of crysolite and almandine.
There breathed the fairest blooms of spring;
There flashed the proud swan’s silver wing,
The splendour of whose feathers broke
Through fragrant wreaths of aloe smoke.
‘’Tis Indra’s heaven,’ the Vanar cried,
Gazing in joy from side to side;
‘The home of all the gods is this,
The mansion of eternal bliss!’
There were the softest carpets spread,
Delightful to the sight and tread,
Where many a lovely woman lay
O’ercome by sleep, fatigued with play.
The wine no longer cheered the feast,
The sound of revelry had ceased.
The tinkling feet no longer stirred,
No chiming of a zone was heard.
So, when each bird has sought her nest,
And swans are mute and wild bees rest,
Sleep the fair lilies on the lake
Till the sun’s kiss shall bid them wake.
Like the calm field of winter’s sky
Which stars unnumbered glorify,
So shone and glowed the sumptuous room
With living stars that chased the gloom.
'These are the stars,’ the chieftain cried,
'In autumn nights that earthward glide,
In brighter forms to reappear
And shine in matchless lustre here.’
With wondering eyes awhile he viewed
Each graceful form and attitude.
One lady’s head was backward thrown,
Bare was her arm and loose her zone.
The garland that her brow had graced
Hung closely round another’s waist.
Here gleamed two little feet all bare
Of anklets that had sparkled there.
Here lay a queenly dame at rest
In all her glorious garments dressed.
There slept another whose small hand
Had loosened every tie and band.
In careless grace another lay,
With gems and jewels cast away,
Like a young creeper when the tread
Of the wild elephant had spread
Confusion and destruction round,
And cast it flowerless to the ground.
Here lay a slumberer still as death,
Save only that her balmy breath
Raised ever and anon the lace
That floated o’er her sleeping face.
There, sunk in sleep, an amorous maid
Her sweet head on a mirror laid,
Like a fair lily bending till
Her petals rest upon the rill.
Another black-eyed damsel pressed
Her lute upon her heaving breast,
As though her loving arms were twined
Round him for whom her bosom pined.
Another pretty sleeper round
A silver vase her arms had wound,
That seemed, so fresh and fair and young,
A wreath of flowers that o’er it hung.
In sweet disorder lay a throng
Weary of dance and play and song,
Where heedless girls had sunk to rest,
One pillowed on another’s breast,
Her tender cheek half seen beneath
Red roses of the falling wreath,
The while her long soft hair concealed
The beauties that her friend revealed.
With limbs at random interlaced
Round arm and leg and throat and waist,
That wreath of women lay asleep
Like blossoms in a careless heap.”[36]
—Griffith (bk. v., canto ix.).