Janaka’s daughter, the famous Sita, whose matrimonial future was thus connected with Siva’s bow, was of superhuman origin, having sprung from the earth in a mysterious manner; for, while Janaka was ploughing the ground in the course of a child-conferring sacrifice, the lovely maiden had, by the favour of the gods, come to him out of the furrow.
Allured by the fame of Sita’s beauty, suitor after suitor had come to Mithila and tried that tough bow of Siva’s, but without success; and Rama’s curiosity was awakened about both the mighty weapon and the maiden fair.
Having been introduced by Vishwamitra to the King of Mithila, Rama was allowed to essay his strength against the huge bow, and huge it was indeed, for it had to be carried on an eight-wheeled cart which “was with difficulty drawn along by five thousand stalwart persons of well-developed frames.” To Rama, however, the bending of this gigantic bow was an easy matter, and he not only bent but broke it too, at which event all present, overwhelmed by the noise, rolled head over heels, with the exception of Vishwamitra, the “king and the two Raghavas.” The lovely and much-coveted prize was Rama’s of course. Arrangements for the wedding were carried out in grand style. Dasahratha and his two other sons were invited to Mithila and brides were found, in the family of Janaka, for all the four brothers. Upon a daïs covered with a canopy, and decked with flowers, the happy brides and bridegrooms were placed, attended by the king and the priests of the two families. Water-pots, golden ladles, censers, and conches, together with platters containing rice, butter, curds and other things for the Hom sacrifice, were also arranged for use on the platform. The sacrificial fire was lighted, the appropriate mantras repeated, and the four bridegrooms led their brides first round the fire, and then round the king and the priests. At this stage of the proceedings showers of celestial flowers rained down upon the happy couples, now united in the bonds of matrimony.[26] After these marriages the return to Ayodhya was accomplished with rejoicings and in great state; but Vishwamitra took his solitary way to the Northern Mountains.
As the years went by and Rama was grown to man’s estate he was endowed with every princely virtue; the people idolized him, and his father, desirous of retiring from the cares of government, determined to place him upon the throne. But, although apparently simple of execution, this arrangement was beset with difficulties. Rama was the son of the Rajah’s eldest and principal wife; but Bharata was the son of his favourite wife, the slender-waisted Kaikeyi. The suffrages of the people and Dasahratha’s own wishes were entirely in favour of Rama, but, apparently unwilling to face the grief or opposition of his darling Kaikeyi, the king took advantage of Bharata’s absence on a visit to a distant court to carry out the rather sudden preparations for Rama’s installation as Yuva-Rajah, hoping, it would seem, to keep Kaikeyi in complete ignorance of what was being done. The whole city, however, was in a state of bustle and excitement at the approaching event. The streets were being washed and watered, flag-staffs were being erected on every side, gay bunting was floating about and garlands of flowers adorned the houses. Musicians played in the highways and in the temples, and, notwithstanding the seclusion of the women’s apartments, it was impossible to conceal from the inmates of the zenana what was going on in the great world outside. A deformed and cunning slave-girl, named Manthara, found out and revealed the whole plot to Bharata’s mother. At first Kaikeyi received the intelligence with pleasure, for Rama was dear to everybody; but the slave-girl so worked upon her feelings of envy and jealousy, by artfully picturing to her the very inferior position she would hold in the world’s estimation, the painful slights she would have to endure and the humiliation she would have to suffer, once Kauçalya’s son was raised to the throne, that in a passion of rage and grief, she threw away her ornaments and, with dishevelled hair, flew to the “chamber of sorrow” and flung herself down upon the floor, weeping bitterly. Here the old king found her “like a sky enveloped in darkness with the stars hid” and had to endure the angry reproaches of his disconsolate favourite. Acting upon a suggestion of the deformed slave-girl, the queen reminded her husband of a promise made by him long previously, that he would grant her any two requests she might make. She now demanded the fulfilment of the royal promise, her two requests being that Rama should be sent away into banishment in the forests for a period of fourteen years and that her own son Bharata should be elevated to the dignity of Yuva-Rajah. On these terms, and on these only, would the offended and ambitious Kaikeyi be reconciled to her uxorious lord. If these conditions were refused she was resolved to rid the king of her hated presence. Dasahratha, poor old man, was overwhelmed by this unexpected crisis. He fell at his wife’s feet, he explained that preparations for Rama’s installation had already commenced, he besought her not to expose him to ridicule and contempt, he coaxed and flattered her, alluding to her lovely eyes and shapely hips, he extolled Rama’s affectionate devotion to herself. He next heaped bitter reproaches upon Kaikeyi’s unreasonable pride and finally swooned away in despair. But she was firm in her purpose and would not be shaken by anything, kind or unkind, that this “lord of earth” could say to her. The royal word she knew was sacred, and had to be kept at any cost.
As soon as it came to be known what a strange and unforeseen turn events had taken, the female apartments were the scene of loud lamentations, and the entire city was plunged in mourning. Rama, of expansive and coppery eyes,[27] long-armed, dark blue like a lotus, a mighty bowman of matchless strength, with the gait of a mad elephant, brave, truthful, humble-minded, respectful and generous to Brahmans, and having his passions under complete control, was the idol of the zenana, the court, and the populace. The thought of his unmerited banishment to the forests was intolerable to everyone. But he himself, with exemplary filial devotion, prepared to go into exile at once, without a murmur. The poet devotes considerable space to a minute description of the sorrow experienced by the prominent characters in the story on account of Rama’s banishment. Each one indulges in a lengthy lamentation, picturing the privations and sufferings of the ill-fated trio, and nearly everyone protests that it will be impossible to live without Rama. With affectionate regard for Sita’s comfort, and loving apprehension for her safety, Rama resolved to leave her behind with his mother; but no argument, no inducement, could prevail upon the devoted wife to be parted from her beloved husband. What were the terrors of the forest to her, what the discomfort of the wilderness, when shared with Rama? Racked with sorrow at the proposed separation, Sita burst into a flood of tears and became almost insensible with grief. At the sight of her tribulation Rama, overcome with emotion, threw his arms about his dear wife and agreed to take her with him, come what may.
Lakshmana, with devoted loyalty, would also accompany his brother into exile.
Kaikeyi, apprehensive of delays, hurried on their preparations, and herself, unblushingly, provided them with the bark dresses worn by ascetics. The two brothers donned their new vestments in the king’s presence.
“But Sita, in her silks arrayed,
Threw glances, trembling and afraid,
On the bark coat she had to wear
Like a shy doe that eyes the snare.
Ashamed and weeping for distress
From the queen’s hand she took the dress.
The fair one, by her husband’s side,
Who matched heaven’s minstrel monarch, cried:
‘How bind they on their woodland dress,
Those hermits of the wilderness?’
There stood the pride of Janak’s race
Perplexed, with sad appealing face,
One coat the lady’s fingers grasped,
One round her neck she feebly clasped,
But failed again, again, confused
By the wild garb she ne’er had used.
Then quickly hastening Rama, pride
Of all who cherish virtue, tied
The rough bark mantle on her, o’er
The silken raiment that she wore.
Then the sad women when they saw
Rama the choice bark round her draw,
Rained water from each tender eye
And cried aloud with bitter cry.”[28]
—Griffith.
After giving away vast treasures to the Brahmans the ill-fated trio took a pathetic leave of the now miserable old king, of Kauçalya who mourned like a cow deprived of her calf, of Sumitra the mother of Lakshmana, and of their “other three hundred and fifty mothers.” With an exalted sense of filial duty the exiles also bid a respectful and affectionate farewell to Kaikeyi, the cruel author of their unmerited banishment, Rama remarking that it was not her own heart, but “Destiny alone that had made her press for the prevention of his installation.”