This message made a great impression upon the Prince, but not so much as the portrait. He positively could not tear his eyes away from it, and exclaimed aloud that never, never had he seen anything so lovely and so graceful. Then he began to think that it was too absurd that he, the fascinating Featherhead, should fall in love with a portrait; and, to drive away the recollections of its haunting eyes, he rushed back to the town; but somehow everything seemed changed. The beauties no longer pleased him, their witty speeches had ceased to amuse; and indeed, for their parts, they found the Prince far less amiable than of yore, and were not sorry when he declared that, after all, a country life suited him best, and went back to the Leafy Palace. Meanwhile, the Princess Celandine had been finding the time pass but slowly with the King and Queen, and was only too pleased when Featherhead reappeared. She at once noticed the change in him, and was deeply curious to find the reason of it. Far from avoiding her, he now sought her company and seemed to take pleasure in talking to her, and yet the Princess did not for a moment flatter herself with the idea that he was in love with her, though it did not take her long to decide that he certainly loved someone. But one day the Princess, wandering sadly by the river, spied Prince Featherhead fast asleep in the shade of a tree, and stole nearer to enjoy the delight of gazing at his dear face unobserved. Judge of her astonishment when she saw that he was holding in his hand a portrait of herself! In vain did she puzzle over the apparent contradictoriness of his behaviour. Why did he cherish her portrait while he was so fatally indifferent to herself? At last she found an opportunity of asking him the name of the Princess whose picture he carried about with him always.

‘Alas! how can I tell you?’ replied he.

‘Why should you not?’ said the Princess timidly. ‘Surely there is nothing to prevent you.’

‘Nothing to prevent me!’ repeated he, ‘when my utmost efforts have failed to discover the lovely original. Should I be so sad if I could but find her? But I do not even know her name.’

More surprised than ever, the Princess asked to be allowed to see the portrait, and after examining it for a few minutes returned it, remarking shyly that at least the original had every cause to be satisfied with it.

‘That means that you consider it flattered,’ said the Prince severely. ‘Really, Celandine, I thought better of you, and should have expected you to be above such contemptible jealousy. But all women are alike!’

‘Indeed, I meant only that it was a good likeness,’ said the Princess meekly.

‘Then you know the original,’ cried the Prince, throwing himself on his knees beside her. ‘Pray tell me at once who it is, and don’t keep me in suspense!’

‘Oh! don’t you see that it is meant for me?’ cried Celandine.

The Prince sprang to his feet, hardly able to refrain from telling her that she must be blinded by vanity to suppose she resembled the lovely portrait even in the slightest degree; and after gazing at her for an instant with icy surprise, turned and left her without another word, and in a few hours quitted the Leafy Palace altogether.