2nd. I. Browning’s Love Among the Ruins, 11:28-31
II. My Star, 12:58-59
III. From Pippa Passes, 12:59
IV. The Boy and the Angel, 11:133-137
V. Epilogue, 15: 143-144
3rd. H. C. BUNNER, b. 3 Ag. 1855
I. Behold the Deeds! 7-Pt. II:123-125
II. The Love Letters of Smith, 8-Pt. I:89-104
4th. PERCY BYSSHE SHELLEY, b. 4 Ag. 1792
I. The Sensitive Plant, 11:54-68
II. To Night, 12:43-44
III. The Indian Serenade, 12:159-160
5th. GUY DE MAUPASSANT, b. 5 Ag. 1850
I. The Piece of String, 21-Pt. II:96-106
II. The Necklace, 21-Pt. I:94-106
Plato is never sullen. Cervantes is never petulant. Demosthenes
never comes unseasonably. Dante never stays too long.
—LORD MACAULAY.
AUGUST 6th to 12th
6th. ALFRED TENNYSON, b. 6 Ag. 1809
I. Alfred Tennyson, 17-Pt. I:38-42
II. Dora, 11:11-17
III. The Lady of Shalott, 10:73-79
7th. JOSEPH RODMAN DRAKE, b. 7 Ag. 1795
I. Halleck’s Joseph Rodman Drake, 15:104-105
II. Browning’s Prospice, 15:145-146
III. Pied Piper, 11:163-173
IV. Meeting at Night, 12:189-190
V. Parting at Morning, 12:190
8th. SARA TEASDALE, b. 8 Ag. 1884
I. Teasdale’s Blue Squills, 12:327
II. The Return, 12:338
III. Browning’s Misconceptions, 12:190-191
IV. Rabbi Ben Ezra, 14:191-199
9th. JOHN DRYDEN, b. 9 Ag. 1631
I. Alexander’s Feast, 13:63-70
II. Ah, How Sweet It Is to Love! 12:140-141
III. The Elixir, 15:150-151
IV. Discipline, 15:151-152
V. The Pulley, 15:153-154