FOOTNOTES
[11] See Leviticus, chap. xvi. 21. “And Aaron shall lay both his hands upon the head of the live goat, and confess over him all the iniquities of the children of Israel, and all their transgressions in all their sins, putting them upon the head of the goat.”—Translator.
CHAPTER XI. EGYPTIAN CULTURE
Egypt remains a light-house in the profound darkness of remote antiquity.—Renan.
By far the greater number of the remains of Egyptian civilisation that have come down to us, are monuments that may be classed as works of art. Indeed, when one speaks of ancient Egypt, one thinks instinctively of her art remains; her pyramids, temples, and sphinxes, her obelisks and colossal sculptures. As one wanders through the halls of such great collections as those of the British Museum, or of the Louvre, it seems to him as if art must have been the very life of Egypt, and as if a considerable proportion of her people must have been engaged in producing the multitude of monuments that are here preserved. But there is, of course, a certain illusion in this thought.
The number of art monuments preserved in Egypt is, indeed, very large in the aggregate, but it must be remembered that they represent the accumulated treasures of many centuries. Thanks to the climate of Egypt, a vastly larger proportion of her monuments have been preserved than have come down to us from any other people of antiquity, and this fact should be borne constantly in mind when one endeavours to estimate the real status of art in that country. Now that the results of many centuries of labour are gathered into a comparatively few collections, the impression made upon the observer is naturally somewhat different from what it would have been could he have seen the same monuments in their original locations scattered throughout the kingdom.