But the Egyptians often carried their dislike of uniformity to an extreme, beyond even what is justified by the study of variety. Where they avoided that extreme their motive was legitimate; and it is remarkable that they were the first people whose monuments offer instances of that diversity so characteristic of Saracenic and Gothic architecture.
The arch was employed in Egypt at a very early period; and crude brick arches were in common use in roofing tombs at least as early as Amenhotep I, in the sixteenth century before our era. And since one was discovered at Thebes bearing his name, others have been found of the age of Tehutimes III (his fourth successor) and of Ramses V. It even seems to have been known in the time of the XIIth Dynasty, judging from what appear to be vaulted granaries at Beni-Hasan.[b]
Egyptian architecture was long a marvel to the later world, since it was so thoroughly overscrolled with strange designs of animals, and gods, and symbols that provoked a helpless curiosity. These figures, graceful as they were, were not of merely decorative import. They were less art than literature; less literature than chronicle: in a word, they were the characters of a strange system of writing.
THE HIEROGLYPHICS
It is extremely difficult to give in brief space, or, indeed, to give at all, a clear idea of the exact character of this Egyptian writing, which for so many centuries fascinated, while puzzling, the observers, utterly baffling all their efforts to decipher it. The Egyptians were the aristocrats of antiquity. It is true that the Greeks described all non-Hellenic nations as barbarians, but it should not be inferred from this that the Greeks applied to this term the exact significance it has come to have in more recent times. What the Greek really seems to have implied was that the speech of all other nations was barbarous or unintelligible; but he by no means regarded all other nations as less civilised than himself. To be sure, he did hold this attitude towards Romans, Persians, Scythians and various other contemporary nations, but he made an exception in the case of the Babylonians, and particularly in the case of the Egyptians. The latter people, indeed, he regarded with something akin to reverence, as a people who could claim an antiquity of civilisation to which Greece could not at all pretend.
The wise men of Greece, as we have seen, travelled in Egypt and sat at the feet of the Egyptian priests. There is nothing to show that they were not received courteously, but there are many evidences that they were given no more than a half-hearted welcome, and that what they gained of Egyptian lore was but a surface knowledge; for the Egyptians, like the Greeks, regarded all other nations as barbarians, and it would seem that they applied this term with the full weight of its modern meaning. To them the Greeks, no less than their other neighbours, were uninteresting parvenus, unworthy of the serious regard of an aristocratic people. It is believed that in the early days all commerce of outside nations with Egypt was as fully interdicted as could be done by Egyptian laws. At a later period the outsiders made forcible intrusion, and, in time, apparently the Egyptians became partially reconciled to this new order of things. But it was long before any scholars from the outer world were permitted to penetrate the Egyptian mysteries. In particular, we have no evidence that any Greek or Roman of the early day ever had the slightest comprehension of the true character of Egyptian writing.
Listen for example to the strange theories of Claudius Ælianus, the Roman historian of the third century, who solemnly explained the hieroglyphics as follows—to quote the quaint diction of a sixteenth century translation:[a]