It has already been pointed out that the earliest history of Assyria is no less obscure than that of early Babylonia. As nearly as the facts can now be restored to us, it would appear that for some centuries the people to the north of Babylonia were struggling for supremacy against the older civilisation of the South. Gradually the northerners—the Assyrians, as they became known—gained in strength until, finally, about the beginning of the fourteenth century B.C., under Shalmaneser I, Asshur obtained a position at least equal to Babylonia. After the death of this monarch Assyria seems to have weakened for a time, and it is not until about 1100 B.C. that another great monarch appeared to put the stamp of his personality upon the epoch. This new ruler was known as Tiglathpileser I. He has been called the first of the great Assyrian conquerors, though perhaps this estimate does scant justice to certain of his predecessors. In any event, he restored the influence of Assyria, subjugated Babylonia, and is said to have been the first Assyrian ruler to be crowned as “King of the Four Corners of the Earth.” It is believed that Nineveh was established as the capital of the empire in the reign of the son and successor of Tiglathpileser, who bore the unfamiliar name of Asshur-bel-kala.

An Assyrian Prince

[ca. 950-825 B.C.]

It is curious how largely the personality of an individual monarch dominates the history of an epoch among oriental nations. An illustration of this familiar fact is shown by antithesis in the scantiness of the records for about a century after the death of Tiglathpileser. Imperfect records reappear about 950 B.C., but it is not till about three-quarters of a century later that Assyria rises again to a time of might. Then, under Asshurnazirpal, one of the most enterprising and most cruel of conquerors, the stamp of Assyrian influence was put upon all surrounding nations. Shalmaneser II largely sustained the traditions of his father, and the power of Assyria was upheld, if not extended, by the next rulers, Tiglathpileser III and Shalmaneser IV.

How fully the deeds of these later Assyrian monarchs are known to us will appear in the succeeding pages. Monarchs of even greater celebrity were to come after; yet perhaps the reign of Asshurnazirpal (885-860 B.C.) may not unjustly be regarded as the period when Assyria obtained its greatest power and its highest civilisation. The bas-reliefs from the palace of Asshurnazirpal, which were exhumed by Layard and which are now exhibited in the British Museum, are in some respects the most perfect examples of Assyrian art that have been preserved. It is true that the artists of two centuries later had developed a more elaborate fashion in the matter of details; but the rugged outlines of the earlier masters tell of art in its creative period. The models produced in this epoch were never to be altered in their essentials during the entire course of Assyrian history. Such hunting scenes as that in which Asshurnazirpal, standing in his chariot, is seen shooting an arrow at an enraged and wounded lion, were perhaps never quite equalled by any Assyrian artist of a later epoch. The art of this time shows examples also of massive sculptures, such as the human-headed bulls and lions, in relative abundance. A curious feature of the later sculptures is that they usually present inscriptions written across pedestal and figure alike. Needless to say, these inscriptions record deeds of the great conqueror. Unfortunately, many of them are repetitions, but even so they preserve relatively comprehensive records of the achievements of the great king.

Even fuller records are preserved of Shalmaneser II. In particular, the black obelisk on which the deeds of this king are presented, both in graphic pictures and in extensive inscriptions, is one of the most famous of Assyrian antiquities. The exact character of this inscription and of the other records in question will be detailed in the succeeding pages.[a] Before proceeding to the history proper, let us study the theatre where the drama was played and the origins of the actors.

LAND AND PEOPLE

The land of Assyria, in the more restricted sense of the term, lies for the most part on the left bank of the Tigris, and is bounded on the south by the Lower Zab. Hence, strictly speaking, it would not form part of Mesopotamia were it not that the capital importance of the Tigris to the country and the trend of its other rivers make it a kind of appendage to the alluvial plain, and that the mountain ranges of the North constitute a boundary which cuts it off from the rest of the world, and thus naturally assigns it to Mesopotamia. Consequently, as soon as the Assyrians gained their independence and started on a career of conquest, it was natural that they should first extend their borders in that direction.

Mesopotamia consists of a great low-lying plain divided by no physical barrier. It was natural, therefore, that the policy of all powerful rulers in that region should have had for its aim the political unification of all parts of the country, united as they were already by a common civilisation and economic interdependence. The efforts of the Assyrians were likewise directed towards this end, though it was long before they obtained it. In the kingdom of Babylonia, which asserted its sway over the whole southern portion of the plain and its dependent provinces, they were at first confronted by an adversary strong enough to resist them, and all that fell to them for the time being was the northern half of Mesopotamia, the greater part of which remained under their dominion, and was merged into an Assyrian empire, just as the whole of Babylonia had been merged into a Babylonian empire. We shall see, however, that the memory of the separate existence of the two component parts of the empire at an earlier stage still subsisted in certain customs and relics of civil law, just as it did in Babylonia.