Certain features of the Cappadocian sculptures appear on as good evidence to be borrowed from Egypt, Persia, and even from the Greeks of Asia Minor; but this is the exception. In any case there is nothing in the Hittite art of Pteria that is original or shows individuality, if we except the two-headed eagle, which is evidently connected with the oldest Asiatic forms of worship and reminds us of the Sirens; and if we also except the long curved lituus, the dress cut in the shape of a chasuble, the pointed tiara, and the peaked shoes: details of costume more interesting from the point of view of fashion than from that of art.
As to the relations between the sculptures of Pteria and those of Hittite Syria they are obvious: we have the same hieroglyphics, the same short tunic, the same long robe, the same foot-gear, the same pointed tiara, and the same round cap. The female dress is almost identical at Marash and Iasili-Kaïa; the divinities have like attributes; the lion and the bull are animals which figure by preference in either place.
We may conclude that the same semi-barbarous nation, lacking the power to free itself, either artistically or politically, from the yoke of Egypt and Assyria, inhabited the two slopes of the Taurus.
HITTITE MONUMENTS IN ASIA MINOR
North of the Taurus and beyond the Halys, the monuments connected with Hittite civilisation are, as in Cappadocia, bas-reliefs carved on the sides of rocks or elsewhere. At Ivris, in Lycaonia, there is an inscription in Hittite hieroglyphics and also two colossal figures with unmistakably Assyrian characteristics, and at Iflatun, also in Lycaonia, the winged globe, the divine symbol both in Egypt and Assyria, can still be discerned on the fragment of a ruined building.
Farther west the Hittite monuments become more rare. Two bas-reliefs, which Herodotus mentions as having been carved by order of Ramses II, have been discovered in Lydia. They represent a warrior wearing the conical tiara, the short tunic and the peaked shoe. He is armed with a spear and bow. The style is the same as that of the bas-reliefs of Cilicia, Lycaonia, Cappadocia, and Syria.
The serpentine moulds which were used for manufacturing metal ornaments or charms are superior in workmanship, though here also the ideas represented are evidently Assyrian. But the best Hittite work was lavished on the glyptic art, as is shown by their seals and cylinders. A cylinder found at Aidin in Lydia even exhibits some originality in its ornamental border, though the scene represented is Assyrian.[e]
The districts of Asia Minor were repeatedly attacked and probably subjugated for considerable periods by the Hittite kings. Everywhere in Asia Minor they left monuments of their campaigns which exactly correspond in style with the monuments of Jerabis, and in part also bear remains of Hamathite inscriptions. Since the discovery of Jerabis there can be no further doubt as to their origin. Among their characteristic peculiarities is the costume, with a high pointed cap and pointed shoes; the figures are usually cut in profile, with widespread legs.
The first of these monuments is an inscribed relief at Ivris on the northern slope of the Taurus, which represents a prince in rich Assyrian costume worshipping a god who is standing and bearing grapes and ears of corn.
Then there are sculptures on the wall of an ancient building at Iflatun on Lake Karaliti in Isauria, and the figure of a warrior in Iconium.