I count the sand, I measure out the sea;
The silent and the dumb are heard by me:
E’en now the odours to my sense that rise,
A tortoise boiling with a lamb supplies,
Where brass below and brass above it lies.
They wrote down the communication of the Pythian, and returned to Sardis. Of the answers which his other messengers brought on their return, Crœsus found none which were satisfactory. But a fervour of gratitude and piety was excited in him, as soon as he was informed of the reply of the Pythian; and he exclaimed, without reserve, that there was no true oracle but at Delphi, for this alone had explained his employment at the stipulated time. It seems that on the day appointed for his servants to consult the different oracles, determining to do what it would be equally difficult to discover or explain, he had cut in pieces a tortoise and a lamb, and boiled them together in a covered vessel of brass.
Crœsus, after these things, determined to conciliate the divinity of Delphi, by a great and magnificent sacrifice. He offered up three thousand chosen victims; he collected a great number of couches decorated with gold and silver, many goblets of gold, and vests of purple; all these he consumed together upon one immense pile, thinking by these means to render the deity more auspicious to his hopes: he persuaded his subjects also to offer up, in like manner, the proper objects for sacrifice they respectively possessed. As, at the conclusion of the above ceremony, a considerable quantity of gold had run together, he formed of it a number of tiles. The larger of these were six palms long, the smaller three, but none of them were less than a palm in thickness, and they were one hundred and seventeen in number: four were of the purest gold, weighing each one talent and a half; the rest were of inferior quality, but of the weight of two talents. He constructed also a lion of pure gold, which weighed ten talents. It was originally placed in the Delphian temple, on the above gold tiles; but when this edifice was burned, it fell from its place, and now stands in the Corinthian treasury: it lost, however, by the fire, three talents and a half of its former weight.
Crœsus, moreover, sent to Delphi two large cisterns, one of gold, and one of silver: that of gold was placed on the right hand, in the vestibule of the temple; the silver one was placed on the left. These also were removed when the temple was consumed by fire: the golden goblet weighed eight talents and a half and twelve minæ, and was afterwards placed in the Clazomenian treasury: that of silver is capable of holding six hundred amphoræ; it is placed at the entrance of the temple, and used by the inhabitants of Delphi in their Theophanian festival; they assert it to have been the work of Theodorus of Samos, to which opinion, as it is evidently the production of no mean artist, I am inclined to accede. The Corinthian treasury also possesses four silver casks, which were sent by Crœsus, in addition to the above, to Delphi. His munificence did not yet cease: he presented also two basins, one of gold, another of silver. An inscription on that of gold, asserts it to have been the gift of the Lacedæmonians; but it is not true, for this also was the gift of Crœsus. To gratify the Lacedæmonians, a certain Delphian wrote this inscription: I know his name, but forbear to disclose it. The boy through whose hand the water flows, was given by the Lacedæmonians; the basins undoubtedly were not. Many other smaller presents accompanied these; among which were some silver dishes, and the figure of a woman in gold, three cubits high, who, according to the Delphians, was the person who made bread for the family of Crœsus. This prince, besides all that we have enumerated, consecrated at Delphi his wife’s necklaces and girdles.
To Amphiaraus, having heard of his valour and misfortunes, he sent a shield of solid gold, with a strong spear made entirely of gold, both shaft and head. These were all, within my memory, preserved at Thebes, in the temple of the Ismenian Apollo.