The king offered sacrifice for the people and every father for his house and family. The religious ceremonies consisted chiefly of sacrifices and prayers. There were but few temples, but on the other hand every town had a piece of land set apart, on which there was an altar. They did not feel bound to these holy places for the worship of the gods, but often built an altar on some spot in the open field for prayer and sacrifice. The sacrifice consisted in burning some pieces of flesh to the gods and the pouring of wine into the fire; while the rest was consumed at a general and merry feast. Even the appointed religious feast days had quite a festive colouring: they feasted, drank, joked, held tournaments, and listened while bards sang of the deeds of heroes. There was no trace to be found among the religious ceremonies of the heroic Greeks of that wild, intoxicating character which generally existed at the feasts of the oriental people.
This was how the character of the later Grecian heroic age was formed. They were a vigorous people, with warlike tastes and simple customs, living under a mild heaven. All took part in public affairs, all were free, and, in spite of a certain inequality among them, they were all connected; and divided by no great contrasts in education, the community felt no kind of oppression. The limited population of the country and the possession of slaves permitted a careless and merry way of life. Rough work was unknown to the greater part of the populace. They exercised their bodies and steeled their strength with warlike undertakings, hunting, practice with arms, and wrestling. Their mental intelligence was directed to higher things through religious customs and soothsayers, and developed rapidly by means of the merry association of the nobility, frequent consultations about public affairs, and mutual military expeditions; and, above all, by means of the poetical stories related by the bards, who put into pleasant form what all felt, and were the real teachers of a higher mental culture; and lastly by means of the elevating power of music.
The Greek, under his bright heaven, looked upon life in the kind sunlight of the upper world as a real life; but that of the lower regions seemed to him, even if he obtained the greatest honours, and reigned like Achilles “over the entire dead as king,” only a sombre picture as compared with the upper world: he loved life and did not throw it ostentatiously away, where there was no necessity. He did not look upon flying from a stronger foe as disgrace; swiftness of foot was regarded by him as a heroic merit, like cunning and a mighty arm.[d]
GEOGRAPHICAL KNOWLEDGE
If we endeavour to ascertain the extent of Homer’s geographical knowledge, we find ourselves almost confined to Greece and the Ægean. Beyond this circle all is foreign and obscure: and the looseness with which he describes the more distant regions, especially when contrasted with his accurate delineation of those which were familiar to him, indicates that as to the others he was mostly left to depend on vague rumours, which he might mould at his pleasure. In the catalogue indeed of the Trojan auxiliaries, which probably comprises all the information which the Greeks had acquired concerning that part of the world at the time it was composed, the names of several nations in the interior of Asia Minor are enumerated. The remotest are probably the Halizonians of Alyba, whose country may, as Strabo supposes, be that of the Chaldeans on the Euxine. On the southern side of the peninsula the Lycians appear as a very distant race, whose land is therefore a fit scene for fabulous adventures: on its confines are the haunts of the monstrous Chimæra, and the territory of the Amazons: farther eastward the mountains of the fierce Solymi, from which Poseidon, on his return from the Ethiopians, descries the bark of Ulysses sailing on the western sea. These Ethiopians are placed by the poet at the extremity of the earth; but as they are visited by Menelaus in the course of his wanderings, they must be supposed to reach across to the shores of the inner sea, and to border on the Phœnicians. Ulysses describes a voyage which he performed in five days, from Crete to Egypt: and the Taphians, though they inhabit the western side of Greece, are represented as engaged in piratical adventures on the coast of Phœnicia. But as to Egypt, it seems clear that the poet’s information was confined to what he had heard of a river Ægyptus, and a great city called Thebes.
On the western side of Europe, the compass of his knowledge seems to be bounded by a few points not very far distant from the coast of Greece. The northern part of the Adriatic he appears to have considered as a vast open sea. Farther westward, Sicily and the southern extremity of Italy are represented as the limits of all ordinary navigation. Beyond lies a vast sea, which spreads to the very confines of nature and space. Sicily itself, at least its more remote parts, is inhabited by various races of gigantic cannibals: whether, at the same time, any of the tribes who really preceded the Greeks in the occupation of the island were known to be settled on the eastern side, is not certain, though the Sicels and Sicania are mentioned in the Odyssey. Italy, as well as Greece, appears, according to the poet’s notions, to be bounded on the north by a formidable waste of waters.
When we proceed to inquire how the imagination of the people filled up the void of its experience, and determined the form of the unknown world, we find that the rudeness of its conceptions corresponds to the scantiness of its information. The part of the earth exposed to the beams of the sun was undoubtedly considered, not as a spherical, but as a plane surface, only varied by its heights and hollows; and, as little can it be doubted, that the form of this surface was determined by that of the visible horizon. The whole orb is girt by the ocean, not a larger sea, but a deep river, which, circulating with constant but gentle flux, separates the world of light and life from the realms of darkness, dreams, and death. No feature in the Homeric chart is more distinctly prominent than this: hence the divine artist terminates the shield of Achilles with a circular stripe, representing “the mighty strength of the river Ocean,” and all the epithets which the poet applies to it are such as belong exclusively to a river. Homer describes all the other rivers, all springs and wells, and the salt main itself, as issuing from the ocean stream, which might be supposed to feed them by subterraneous channels. Still it is very difficult to form a clear conception of this river, or to say how the poet supposed it to be bounded. Ulysses passes into it from the western sea; but whether the point at which he enters is a mouth or opening, or the two waters are only separated by an invisible line, admits of much doubt. On the farther side however is land: but a land of darkness, which the sun cannot pierce, a land of Cimmerians, the realm of Hades, inhabited by the shades of the departed, and by the family of dreams. As to the other dimensions of the earth, the poet affords us no information, and it would be difficult to decide whether a cylinder or a cone approaches nearest to the figure which he may have assigned to it: and as little does he intimate in what manner he conceives it to be supported. But within it was hollowed another vast receptacle for departed spirits, perhaps the proper abode of Hades. Beneath this, and as far below the earth as heaven was above it, lay the still more murky pit of Tartarus, secured by its iron gates and brazen floor, the dungeon reserved by Jupiter for his implacable enemies.
Some of the epithets which Homer applies to the heaven, seem to imply that he considered it as a solid vault of metal. But it is not necessary to construe these epithets so literally, nor to draw any such inference from his description of Atlas, who “holds the lofty pillars which keep earth and heaven asunder.” Yet it would seem, from the manner in which the height of heaven is compared with the depth of Tartarus, that the region of light was thought to have certain bounds. The summit of the Thessalian Olympus was regarded as the highest point on the earth, and it is not always carefully distinguished from the aerian regions above. The idea of a seat of the gods,—perhaps derived from a more ancient tradition, in which it was not attached to any geographical site,—seems to be indistinctly blended in the poet’s mind with that of a real mountain. Hence Hephæstus, when hurled from the threshold of Jupiter’s palace, falls “from morn to noon, from noon to dewy eve,” before he drops on Lemnos; and Jupiter speaks of suspending the earth by a chain from the top of Olympus.
NAVIGATION AND ASTRONOMY
A wider compass of geographical knowledge, and more enlarged views of nature, would scarcely have been consistent with the state of navigation and commerce which the Homeric poems represent. The poet expresses the common feelings of an age when the voyages of the Greeks were mostly confined to the Ægean. The vessels of the heroes, and probably of the poet’s contemporaries, were slender half-decked boats: according to the calculation of Thucydides, who seems to suspect exaggeration, the largest contained one hundred and twenty men, the greatest number of rowers mentioned in the catalogue: but we find twenty rowers spoken of as a usual complement of a good ship. The mast was movable, and was only hoisted to take advantage of a fair wind, and at the end of a day’s voyage was again deposited in its appropriate receptacle. In the day-time, the Greek mariner commonly followed the windings of the coasts, or shot across from headland to headland, or from isle to isle: at night his vessel was usually put into port, or hauled up on the beach; for though on clear nights he might prosecute his voyage as well as by day, yet should the sky be overcast his course was inevitably lost. Engagements at sea are never mentioned by Homer, though he so frequently alludes to piratical excursions. They were probably of rare occurrence: but as they must sometimes have been inevitable, the galleys were provided with long poles for such occasions. The approach of winter put a stop to all ordinary navigation. Hesiod fixes the time for laying up the merchant ship, covering it with stones, taking out the rigging, and hanging the rudder up by the fire. According to him, the fair season lasts only fifty days: some indeed venture earlier to sea, but a prudent man will not then trust his substance to the waves.