My Susan's taste was superfine,
As proved by bills that had no end;
I never had a decent coat—
I never had a coin to spend!
She forced me to resign my club,
Lay down my pipe, retrench my grog—
What d'ye think of that, my cat?
What d'ye think of that, my dog?
Each Sunday night we gave a rout
To fops and flirts, a pretty list;
And when I tried to steal away
I found my study full of whist!
Then, first to come, and last to go,
There always was a Captain Hogg—
What d'ye think of that, my cat?
What d'ye think of that, my dog?
Now was not that an awful dream
For one who single is and snug—
With Pussy in the elbow-chair,
And Tray reposing on the rug?—
If I must totter down the hill
'Tis safest done without a clog—
What d'ye think of that, my cat?
What d'ye think of that, my dog?
ON SAMUEL ROGERS. LORD BYRON.
Question.
Nose and chin would shame a knocker,
Wrinkles that would puzzle Cocker:
Mouth which marks the envious scorner,
With a scorpion in each corner,
Turning its quick tail to sting you
In the place that most may wring you:
Eyes of lead-like hue, and gummy;
Carcass picked out from some mummy
Bowels (but they were forgotten,
Save the liver, and that's rotten);
Skin all sallow, flesh all sodden—
Form the Devil would frighten God in.
Is't a corpse stuck up for show,
Galvanized at times to go
With the Scripture in connection,
New proof of the resurrection?
Vampyre, ghost, or ghoul, what is it?
I would walk ten miles to miss it.
Answer.
Many passengers arrest one,
To demand the same free question.
Shorter's my reply, and franker—
That's the Bard, the Beau, the Banker.
Yet if you could bring about,
Just to turn him inside out,
Satan's self would seem less sooty,
And his present aspect—Beauty.
Mark that (as he masks the bilious
Air, so softly supercilious)
Chastened bow, and mock humility,
Almost sickened to servility;
Hear his tone, (which is to talking
That which creeping is to walking—
Now on all-fours, now on tiptoe),
Hear the tales he lends his lip to;
Little hints of heavy scandals,
Every friend in turn he handles;
All which women or which men do,
Glides forth in an innuendo,
Clothed in odds and ends of humor—
Herald of each paltry rumor.
From divorces down to dresses,
Women's frailties, men's excesses,
All which life presents of evil
Make for him a constant revel.
You're his foe—for that he fears you,
And in absence blasts and sears you:
You're his friend—for that he hates you,
First caresses, and then baits you,
Darting on the opportunity
When to do it with impunity:
You are neither—then he'll flatter
Till he finds some trait for satire;
Hunts your weak point out, then shows it
Where it injures to disclose it,
In the mode that's most invidious,
Adding every trait that's hideous,
From the bile, whose blackening river
Rushes through his Stygian liver.
Then he thinks himself a lover:
Why I really can't discover
In his mind, age, face, or figure:
Viper-broth might give him vigor.
Let him keep the caldron steady,
He the venom has already.
For his faults, he has but ONE—
'Tis but envy, when all's done.
He but pays the pain he suffers;
Clipping, like a pair of snuffers,
Lights which ought to burn the brighter
For this temporary blighter.
He's the cancer of his species,
And will eat himself to pieces;
Plague personified, and famine;
Devil, whose sole delight is damning!
For his merits, would you know 'em?
Once he wrote a pretty Poem.