The pride of his heart was a dress-coat, which he donned only on extraordinary occasions. He had brought himself to purchase this piece of wearing apparel only by dint of the rigorous etiquette of the Royal Theatre, which authoritatively demanded the use of a dress-coat on certain days. It never occurred to him to have a new one, and he wandered from junk-shop to junk-shop until he found a specimen at Solomon Hoffa’s, which he purchased for one thaler and some odd groschens, and which he thereafter wore to the horror of all respectable people, and to the annoyance of the entire orchestra.
It was really too shabbily old-fashioned. In fact, it was a disgrace to the corporation. The collar was of such goodly size as to almost completely hide the square head of Schnorps; the sleeves were so tight that Gottlieb could only with difficulty properly belabour his bass viol, and the broad tails stood out like the arms of a windmill from the lank legs of the wearer.
One morning he received a formidable-looking square letter, with the well-known official green seal, in which he was notified in the politest of language, but with all possible decision, that when taking part in the orchestra in future he was to appear in a coat which was more in harmony with the dignity of a Royal Theatre, and less likely to excite the risibility of the audience.
This left no room for doubt, it was certainly plain enough. Schnorps raged—talked about tyranny, interference with personal freedom, scolded his wife, and flogged all the young Schnorpses; but there was no help for it—the acquisition of a new coat loomed upon the horizon as an inexorable necessity.
And now occurred what had never occurred before. For several days in succession the townspeople saw the bass violinist Schnorps and his spouse walk about from one clothing shop to another. In each one they entered into lengthy negotiations, only to pass on after a time grumbling and scolding about the outrageous prices, until at last the firm of J. M. Lindenfeld had the good fortune to come to terms with Herr and Frau Schnorps about a new and handsome swallow-tail coat.
“IT WAS A DISGRACE TO THE CORPORATION.”
“I’ll tell you what, Sally,” said the bass violinist one day to his better-half; “though I’ve been forced by pure tyranny to spend a sinful lot of money on that new dress-coat, there’s no earthly reason why I shouldn’t get all the good I can out of the old one. I wish you’d just send for old Peter and tell him to make Michel a jacket out of it; it will last the boy many a year.”
Old Peter was a tailor whose chief art lay in mending and patching up old garments, and Michel was the eldest sprout and heir pretendent to the bass viol of the Schnorpses.