“No more,” exclaimed Maria, resolutely throwing on the ground the hair, which Juan picked up all astonished; “Send this hair to the Mayoress, since it was for this and not for that of the dead woman that she paid so dearly. For I, to cure myself of my vanity, now make a vow, with your good permission, to go shorn all my life; such artificial adornments are little befitting to the wives of honest burghers.”
“But rely upon it,” replied the Master-cutler, “that as soon as it is known that you have no hair, the girls of the city, envious of your beauty, will give you the nickname of Mariquita the Bald!”
“They may do so,” replied Maria, “and that they may see that I do not care a fig for this or any other nickname, I swear to you that from this day forth I will not suffer anybody to call me by another name than Mariquita the Bald.”
This was the event that rendered so famous throughout all Castille the beautiful daughter of good Juan Lanas, who in effect married Master Palomo, and became one of the most honourable and prolific women of the most illustrious city of Toledo.
Juan Eugenio Hartzenbusch (1806-1880).
PULPETE AND BALBEJA; OR, AN ANDALUSIAN DUEL.
Through the little square of St. Anna, towards a certain tavern, where the best wine is to be quaffed in Seville, there walked in measured steps two men, whose demeanour clearly manifested the soil which gave them birth. He who walked in the middle of the street, taller than the other by about a finger’s length, sported with affected carelessness the wide, slouched hat of Ecija, with tassels of glass beads and a ribbon as black as his sins. He wore his cloak gathered under his left arm; the right, emerging from a turquoise lining, exposed the merino lambskin with silver clasps. The herdsman’s boots—white, with Turkish buttons,—the breeches gleaming red from below the cloak and covering the knee, and, above all, his strong and robust appearance, dark curly hair, and eye like a red-hot coal, proclaimed at a distance that all this combination belonged to one of those men who put an end to horses between their knees and tire out the bull with their lance. He walked on, arguing with his companion, who was rather spare than prodigal in his person, but marvellously lithe and supple. The latter was shod with low shoes, garters united the stockings to the light-blue breeches, the waistcoat was cane-coloured, his sash light green, and jaunty shoulder-knots, lappets, and rows of buttons ornamented the camelite jacket. The open cloak, the hat drawn over his ear, his short, clean steps, and the manifestations in all his limbs and movements of agility and elasticity beyond trial plainly showed that in the arena, carmine cloth in hand, he would mock at the most frenzied of Jarama bulls, or the best horned beasts from Utrera.
I—who adore and die for such people, though the compliment be not returned—went slowly in the wake of their worships, and, unable to restrain myself, entered with them the same tavern, or rather eating-house, since there they serve certain provocatives as well as wine, and I, as my readers perceive, love to call things by their right name. I entered and sat down at once, and in such a manner as not to interrupt my Oliver and Roland, and that they might not notice me, when I saw that, as if believing themselves alone, they threw their arms with an amicable gesture round each other’s neck, and thus began their discourse:—
“Pulpete,” said the taller, “now that we are going to meet each other, knife in hand—you here, I there, ... one, two, ... on your guard, ... triz, traz, ... have that, ... take this and call it what you like ...—let us first drain a tankard to the music and measure of some songs.”
“Señor Balbeja,” replied Pulpete, drawing his face aside and spitting with the greatest neatness and pulchritude towards his shoe, “I am not the kind of man either for la Gorja or other similar earthly matters, or because a steel tongue is sheathed in my body, or my weasand slit, or for any other such trifle, to be provoked or vexed with such a friend as Balbeja. Let the wine be brought, and then we will sing; and afterwards blood—blood to the hilt.”