but that would be very bad -- because the reader would be prone to type the string d-d-dot, and it happens that in vi(1) dot repeats the last command accepted. The net result would be to delete two lines!
The Jargon File follows hackish usage throughout.
Interestingly, a similar style is now preferred practice in Great Britain, though the older style (which became established for typographical reasons having to do with the aesthetics of comma and quotes in typeset text) is still accepted there. "Hart's Rules" and the "Oxford Dictionary for Writers and Editors" call the hacker-like style `new' or `logical' quoting. This returns British English to the style Latin languages (including Spanish, French, Italian, Catalan) have been using all along.
Another hacker habit is a tendency to distinguish between `scare' quotes and `speech' quotes; that is, to use British-style single quotes for marking and reserve American-style double quotes for actual reports of speech or text included from elsewhere. Interestingly, some authorities describe this as correct general usage, but mainstream American English has gone to using double-quotes indiscriminately enough that hacker usage appears marked [and, in fact, I thought this was a personal quirk of mine until I checked with Usenet --ESR]. One further permutation that is definitely not standard is a hackish tendency to do marking quotes by using apostrophes (single quotes) in pairs; that is, 'like this'. This is modelled on string and character literal syntax in some programming languages (reinforced by the fact that many character-only terminals display the apostrophe in typewriter style, as a vertical single quote).
One quirk that shows up frequently in the [email] style of Unix hackers in particular is a tendency for some things that are normally all-lowercase (including usernames and the names of commands and C routines) to remain uncapitalized even when they occur at the beginning of sentences. It is clear that, for many hackers, the case of such identifiers becomes a part of their internal representation (the `spelling') and cannot be overridden without mental effort (an appropriate reflex because Unix and C both distinguish cases and confusing them can lead to [lossage]). A way of escaping this dilemma is simply to avoid using these constructions at the beginning of sentences.
There seems to be a meta-rule behind these nonstandard hackerisms to the effect that precision of expression is more important than conformance to traditional rules; where the latter create ambiguity or lose information they can be discarded without a second thought. It is notable in this respect that other hackish inventions (for example, in vocabulary) also tend to carry very precise shades of meaning even when constructed to appear slangy and loose. In fact, to a hacker, the contrast between `loose' form and `tight' content in jargon is a substantial part of its humor!
Hackers have also developed a number of punctuation and emphasis conventions adapted to single-font all-ASCII communications links, and these are occasionally carried over into written documents even when normal means of font changes, underlining, and the like are available.
One of these is that TEXT IN ALL CAPS IS INTERPRETED AS `LOUD', and this becomes such an ingrained synesthetic reflex that a person who goes to caps-lock while in [talk mode] may be asked to "stop shouting, please, you're hurting my ears!".
Also, it is common to use bracketing with unusual characters to signify emphasis. The asterisk is most common, as in "What the *hell*?" even though this interferes with the common use of the asterisk suffix as a footnote mark. The underscore is also common, suggesting underlining (this is particularly common with book titles; for example, "It is often alleged that Joe Haldeman wrote _The_Forever_War_ as a rebuttal to Robert Heinlein's earlier novel of the future military, _Starship_Troopers_."). Other forms exemplified by "=hell=", "\hell/", or "/hell/" are occasionally seen (it's claimed that in the last example the first slash pushes the letters over to the right to make them italic, and the second keeps them from falling over). On FidoNet, you might see #bright# and ^dark^ text, which was actually interpreted by some reader software. Finally, words may also be emphasized L I K E T H I S, or by a series of carets (^) under them on the next line of the text.
There is a semantic difference between *emphasis like this* (which emphasizes the phrase as a whole), and *emphasis* *like* *this* (which suggests the writer speaking very slowly and distinctly, as if to a very young child or a mentally impaired person). Bracketing a word with the `*' character may also indicate that the writer wishes readers to consider that an action is taking place or that a sound is being made. Examples: *bang*, *hic*, *ring*, *grin*, *kick*, *stomp*, *mumble*.