Fig. 1. Lioness and young from an Ionian vase of the sixth century B. C. found at Caere in Southern Etruria (Louvre, Salle E, No. 298), from Le Dessin des Animaux en Grèce d’après les vases peints, by J. Morin, Paris (Renouard), 1911. The animal is drawing itself up to attack its hunters. The scanty mane, the form of the paws, the udders, and the dentition are all heavily though accurately represented.
Fig. 2. A, Jaw bones of lion; B, head of lioness from Caere vase (Fig. 1), after Morin. Note the careful way in which the artist has distinguished the molar from the cutting teeth.
Fig. 3. Paintings of fish on plates. Italo-Greek work of the fourth century B. C. From Morin.
- Sargus vulgaris.
- Crenilabrus mediterraneus.
- Uranoscopus scaber?
Animal paintings of this order are found scattered over the Greek world with special centres or schools in such places as Cyprus, Boeotia, or Chalcis. The very name for a painter in Greek, zoographos, recalls the attention paid to living forms. By the fifth century, in painting them as in other departments of Art, the supremacy of Attica had asserted itself, and there are many beautiful Attic vase-paintings of animals to place by the side of the magnificent horses’ heads of the Parthenon (Fig. 6). In Attica, too, was early developed a characteristic and closely accurate type of representation of marine forms, and this attained a wider vogue in Southern Italy in the fourth century. From the latter period a number of dishes and vases have come down to us bearing a large variety of fish forms, portrayed with an exactness that is interesting in view of the attention to marine creatures in the surviving literature of Aristotelian origin (Fig. 3).
These artistic products are more than a mere reflex of the daily life of the people. The habits and positions of animals are observed by the hunter, as are the forms and colours of fish by the fisherman; but the methods of huntsman and fisher do not account for the accurate portrayal of a lion’s dentition, the correct numbering of a fish’s scales or the close study of the lie of the feathers on the head, and the pads on the feet, of a bird of prey (Fig. 4). With observations such as these we are in the presence of something worthy of the name Biology. Though but little literature on that topic earlier than the writings of Aristotle has come down to us, yet both the character of his writings and such paintings and pictures as these, suggest the existence of a strong interest and a wide literature, biological in the modern sense, antecedent to the fourth century.
Fig. 4. Head and talons of the Sea-eagle, Haliaëtus albicilla: