Then your writer, poet, historian, novelist, or what not? The Beacon says that "Jones's work is one of the first order." The Lamp declares that Jones's tragedy surpasses every work since the days of Him of Avon." The Comet asserts that "J's 'Life of Goody Twoshoes' is a [Greek text omitted], a noble and enduring monument to the fame of that admirable Englishwoman," and so forth. But then Jones knows that he has lent the critic of the Beacon five pounds; that his publisher has a half share in the Lamp; and that the Cornet comes repeatedly to dine with him. It is all very well. Jones is immortal until he is found out; and then down comes the extinguisher, and the immortal is dead and buried. The idea (dies irae!) of discovery must haunt many a man, and make him uneasy, as the trumpets are puffing in his triumph. Brown, who has a higher place than he deserves, cowers before Smith, who has found him out. What is the chorus of critics shouting "Bravo"?—a public clapping hands and flinging garlands? Brown knows that Smith has found him out. Puff, trumpets! Wave, banners! Huzza, boys, for the immortal Brown! This is all very well," B. thinks (bowing the while, smiling, laying his hand to his heart); "but there stands Smith at the window: HE has measured me; and some day the others will find me out too." It is a very curious sensation to sit by a man who has found you out, and who, as you know, has found you out; or, vice versa, to sit with a man whom YOU have found out. His talent? Bah! His virtue? We know a little story or two about his virtue, and he knows we know it. We are thinking over friend Robinson's antecedents, as we grin, bow and talk; and we are both humbugs together. Robinson a good fellow, is he? You know how he behaved to Hicks? A good-natured man, is he? Pray do you remember that little story of Mrs. Robinson's black eye? How men have to work, to talk, to smile, to go to bed, and try and sleep, with this dread of being found out on their consciences! Bardolph, who has robbed a church, and Nym, who has taken a purse, go to their usual haunts, and smoke their pipes with their companions. Mr. Detective Bullseye appears, and says, "Oh, Bardolph! I want you about that there pyx business!" Mr. Bardolph knocks the ashes out of his pipe, puts out his hands to the little steel cuffs, and walks away quite meekly. He is found out. He must go. "Good-by, 'Doll Tearsheet! Good-by, Mrs. Quickly, ma'am!" The other gentlemen and ladies de la societe look on and exchange mute adieux with the departing friends. And an assured time will come when the other gentlemen and ladies will be found out too.
What a wonderful and beautiful provision of nature it has been that, for the most part, our womankind are not endowed with the faculty of finding us out! THEY don't doubt, and probe, and weigh, and take your measure. Lay down this paper, my benevolent friend and reader, go into your drawing-room now, and utter a joke ever so old, and I wager sixpence the ladies there will all begin to laugh. Go to Brown's house, and tell Mrs. Brown and the young ladies what you think of him, and see what a welcome you will get! In like manner, let him come to your house, and tell YOUR good lady his candid opinion of you, and fancy how she will receive him! Would you have your wife and children know you exactly for what you are, and esteem you precisely at your worth? If so, my friend, you will live in a dreary house, and you will have but a chilly fireside. Do you suppose the people round it don't see your homely face as under a glamour, and, as it were, with a halo of love round it? You don't fancy you ARE as you seem to them? No such thing, my man. Put away that monstrous conceit, and be thankful that THEY have not found you out.
The Notch on the Ax
A Story a la Mode*
* (Here Thackeray reduces to an absurdity the literary fashion of the day—the vogue for startling stories and "Tales of Terror," which was high in his time, and which influenced several of the stories which precede in this volume. But while Dickens made fun, with mental reservations; while Bulwer Lytton tried to explain by rising to the heights of natural philosophy, and Maturin did not explain at all, but let his extravagant genius roam between heaven and earth—Thackeray's keen wit saw mainly one chance for exquisite literary satire and parody. At one point or another in this skit, the style of each principal sensational novelist of the day is delightfully imitated.—EDITOR.)
I
Every one remembers in the Fourth Book of the immortal poem of your
Blind Bard (to whose sightless orbs no doubt Glorious Shapes were
apparent, and Visions Celestial), how Adam discourses to Eve of the
Bright Visitors who hovered round their Eden—
'Millions of spiritual creatures walk the earth,
Unseen, both when we wake and when we sleep.'
"'How often,' says Father Adam, 'from the steep of echoing hill or thicket, have we heard celestial voices to the midnight air, sole, or responsive to each other's notes, singing!' After the Act of Disobedience, when the erring pair from Eden took their solitary way, and went forth to toil and trouble on common earth—though the Glorious Ones no longer were visible, you cannot say they were gone. It was not that the Bright Ones were absent, but that the dim eyes of rebel man no longer could see them. In your chamber hangs a picture of one whom you never knew, but whom you have long held in tenderest regard, and who was painted for you by a friend of mine, the Knight of Plympton. She communes with you. She smiles on you. When your spirits are low, her bright eyes shine on you and cheer you. Her innocent sweet smile is a caress to you. She never fails to soothe you with her speechless prattle. You love her. She is alive with you. As you extinguish your candle and turn to sleep, though your eyes see her not, is she not there still smiling? As you lie in the night awake, and thinking of your duties, and the morrow's inevitable toil oppressing the busy, weary, wakeful brain as with a remorse, the crackling fire flashes up for a moment in the grate, and she is there, your little Beauteous Maiden, smiling with her sweet eyes! When moon is down, when fire is out, when curtains are drawn, when lids are closed, is she not there, the little Beautiful One, though invisible, present and smiling still? Friend, the Unseen Ones are round about us. Does it not seem as if the time were drawing near when it shall be given to men to behold them?"
The print of which my friend spoke, and which, indeed, hangs in my room, though he has never been there, is that charming little winter piece of Sir Joshua, representing the little Lady Caroline Montague, afterwards Duchess of Buccleuch. She is represented as standing in the midst of a winter landscape, wrapped in muff and cloak; and she looks out of her picture with a smile so exquisite that a Herod could not see her without being charmed.