From Virtue’s blissful paths away
The double-tongued are sure to stray;
Good is a forth-right journey still.
And mazy paths but lead to ill.
“WIELAND” is the first American novel. It appeared in 1798; its author was soon recognized as the earliest American novelist; and he remained the greatest, until Fenimore Cooper brought forth his Leather-stocking Tales, a quarter of a century later.
Although modern sophistication easily points out flaws in Charles Brockden Brown’s story-structure, and reproves him for improbability, morbidness, and a style often too elevated, yet his work lives. His downright originality is worthy of Cooper himself, and his weird imaginations and horribly sustained scenes of terror have been surpassed by few writers save Edgar Allan Poe.
Charles Brockden Brown
FIRST PART
I
Wieland’s Madness
[As the story opens, the narratress, Clara Wieland, is entering upon the happy realization of her love for Henry Pleyel, closest friend of her brother “Wieland.”
Their woodland home, Mettingen, on the banks of the then remote
Schuylkill, is the abode of music, letters and thorough culture.
The peace of high thinking and simple outdoor life hovers over
all.]
One sunny afternoon I was standing in the door of my house, when I marked a person passing close to the edge of the bank that was in front. His pace was a careless and lingering one, and had none of that gracefulness and ease which distinguish a person with certain advantages of education from a clown. His gait was rustic and awkward. His form was ungainly and disproportioned. Shoulders broad and square, breast sunken, his head drooping, his body of uniform breadth, supported by long and lank legs, were the ingredients of his frame. His garb was not ill adapted to such a figure. A slouched hat, tarnished by the weather, a coat of thick gray cloth, cut and wrought, as it seemed, by a country tailor, blue worsted stockings, and shoes fastened by thongs and deeply discolored by dust, which brush had never disturbed, constituted his dress.