But should I have the strength to carry on such a conversation? At the mere thought of it my heart-beats were quickened, and my nerves thrilled. What! this was the first opportunity that had been offered to me of action, of devoting myself to the task of vengeance, so coveted, so fully accepted during all my early years, and I could hesitate?
Happily, or unhappily, I had near me a counsellor stronger than my doubts, my father's portrait, which was hung in my smoking-room. When I awoke in the night and plunged into those thoughts, I would light my candle and go to look at the picture. How like we were to each other, my father and I, although I was more slightly built! How exactly the same we were! How near to me I felt him, and how dearly I loved him! With what emotion I studied those features, the lofty forehead, the brown eyes, the rather large mouth, the rather long chin, the mouth especially half-hidden by a black moustache cut like my own; it had no need to open, and cry out: "Andre, Andre, remember me!" Ah, no, my dear dead father, I could not leave you thus, without having done my utmost to avenge you, and it was only an interview to be faced, only an interview!
My nervousness gave way to determination at once feverish and fixed—yes, it was both—and it was in a mood of perfect self- mastery, that, after a long period of mental conflict, I repaired to the hotel on the boulevard, with the plan of my discourse clearly laid out. I felt almost sure of finding my stepfather alone; for my mother was to breakfast on that day with Madame Bernard. M. Termonde was at home, and, as I expected, alone in his study.
When I entered the room, he was sitting in a low chair, close to the fire, looking chilly, and smoking. Like myself in my dark hours, he drugged himself with tobacco. The room was a large one, and both luxurious and ordinary. A handsome bookcase lined one of the walls. Its contents were various, ranging from grave works on history and political economy, to the lightest novels of the day. A large, flat writing-table, on which every kind of writing- material was carefully arranged, occupied the middle of the room, and was adorned with photographs in plain leather cases. These were portraits of my mother and M. Termonde's father and mother. At least one prominent trait of its owner's character, his scrupulous attention to order and correctness of detail, was revealed by the aspect of my stepfather's study; but this quality, which is common to so many persons of his position in the world, may belong to the most commonplace character as well as to the most refined hypocrite. It was not only in the external order and bearing of his life that my stepfather was impenetrable, none could tell whether profound thoughts were or were not hidden behind his politeness and elegance of manner. I had often reflected on this, at a period when as yet I had no stronger motive for examining into the recesses of the man's character than curiosity, and the impression came to me with extreme intensity at the moment when I entered his presence with a firm resolve to read in the book of his past life.
We shook hands, I took a seat opposite to his on the other side of the hearth, lighted a cigar, and said, as if to explain my unaccustomed presence:
"Mamma is not here?"
"Did she not tell you, the other day, that she was to breakfast with Madame Bernard? There's an expedition to Lozano's studio" (Lozano was a Spanish painter much in vogue just then), "to see a portrait he is painting of Madame Bernard. Is there anything you want to have told to your mother?" he added, simply.
These few words were sufficient to show me that he had remarked the singularity of my visit. Ought I to regret or to rejoice at this? He was, then, already aware that I had some particular motive for coming; but this very fact would give all their intended weight to my words. I began by turning the conversation on an indifferent matter, talking of the painter Lozano and a good picture of his which I knew, "A Gipsy-dance in a Tavern-yard at Grenada." I described the bold attitudes, the pale complexions, the Moorish faces of the "gitanas," and the red carnations stuck into the heavy braids of their black hair, and I questioned him about Spain.
He answered me, but evidently out of mere politeness.
While continuing to smoke his cigar, he raked the fire with the tongs, taking up one small piece of charred wood after another between their points. By the quivering of his fingers, the only sign of his nervous sensitiveness which he was unable entirely to keep down, I could observe that my presence was then, as it always was, disagreeable to him. Nevertheless he talked on with his habitual courtesy, in his low voice, almost without tone or accent, as though he had trained himself to talk thus. His eyes were fixed on the flame, and his face, which I saw in profile, wore the expression of infinite weariness that I knew well, in indescribable stillness and sadness, with long deep lines, and the mouth was contracted as though by some bitter thought ever present. Suddenly, I looked straight at that detested profile, concentrating all the attention I had in me upon it, and, passing from one subject to another without transition, I said: