Fromentin.
CCVIII
I am never tired of looking at Titian's pictures; they possess such extreme breadth, which to me is so delightful a quality. In my opinion there never will, to the end of time, arise a portrait-painter superior to Titian. Next to him in this kind of excellence is Raphael. There is this difference between Raphael and Titian: Raphael, with all his excellence, possessed the utmost gentleness; it was as if he had said, "If another person can do better, I have no objections." But Titian was a man who would keep down every one else to the uttermost; he was determined that the art should come in and go out with himself; the expression in all the portraits
of him told as much. When any stupendous work of antiquity remains with us—say, a building or a bridge—the common people cannot account for it, and they say it was erected by the devil. Now I feel this same thing in regard to the works of Titian;—they seem to me as if painted by a devil, or at any rate from inspiration; I cannot account for them.
Northcote.
NORTHERN MASTERS
CCIX
Raphael, to be plain with you—for I like to be candid and outspoken—does not please me at all. In Venice are found the good and the beautiful; to their brush I give the first place; it is Titian that bears the banner.