Charles Keene.
LXX
The purpose of art is no other than to delineate the form and express the spirit of an object, animate or inanimate, as the case may be. The use of art is to produce copies of things; and if an artist has a thorough knowledge of the properties of the thing he paints he can assuredly make a name. Just as a writer of profound erudition and good memory has ever at his command an inexhaustible supply of words and phrases which he freely makes use of in writing, so can a painter, who has accumulated experience by drawing from nature, paint any object without a conscious effort. The artist who confines himself to copying from models painted by his master, fares no better than a literatus who cannot rise above transcribing others' compositions. An ancient critic says that writing ends in describing a thing or narrating an event, but painting can represent the actual forms of things. Without the true depiction of objects, there can be no pictorial art. Nobility of sentiment and such-like only come after a successful delineation of the external form of an object. The beginner in art should direct his efforts more to the latter than to the former. He should learn to paint according to his own ideas, not to slavishly copy the models of old artists. Plagiarism is a crime to be avoided not only by men of letters but also by painters.
Okio (Japanese, eighteenth century).
LXXI
I remember Dürer the painter, who used to say that, as a young man, he loved extraordinary and unusual designs in painting, but that in his old age he took to examining Nature, and strove to imitate her as closely as he possibly could; but he found by experience how hard it is not to deviate from her.