Still, however, there hang about the stage in every country too many actresses of abandoned character. As may well be supposed, the private attachments of those are as perfectly feigned, as any of the passions or characters they represent in public, and their allurements are employed chiefly, if not solely, for the gratification of their vanity, or the furtherance of their pecuniary interest. Here and there, may perhaps be found an example of the influence of personal love: but in general they make their charms tributary to their purses, and to their standing in the theatre. To prove this it need only be stated as a general rule, to which there are but very few exceptions, that in England the greatest favourites with that class of females, and those for whose preference they most artfully vie with each other, is some ordinary, or perhaps hoary manager, who, if he be so disposed, is sure to carry away those precious prizes from the finest youths or prime men of the theatre, unless to youth and personal elegance the latter should add great professional merit and the power and influence consequent to it.

A moment's consideration will show that, for the purposes of women of this description, there could not possibly be found a more hopeful object than such a young person as Hodgkinson must necessarily have been at this period of his life. Unassisted by early instruction

——No parent's care
Shielded his infant innocence with prayer;
No father's guardian hand his youth maintained;
Called forth his virtues or from vice restrained.

Raised by his own talents and industry to great celebrity, and at a time of life, when others have not ventured to cross the threshold of the profession, honoured with the patronage of the first dramatic personage living, it would be a miracle if he had not been rendered giddy by his unexpected height. He had as yet had no experience to make him wise, no sufferings to make him cautious. From his boyish days he was compelled, by the necessity of his situation, to associate with persons of all others the most likely to corrupt his morals, and continually exposed to dangers which he was incapable of suspecting, and therefore could not defeat. On the other hand every circumstance attending his condition had a tendency to intoxicate his brain: the first dawn of manhood broke upon him with the dazzling glare of a full and fervid prosperity, which no modesty could prevent him from knowing to be the fruits of his own extraordinary merit. Along with this, his personal endowments, which were of themselves sufficient in private life to have filled the best regulated young mind with vanity, were the continual subject of public approbation—his face was remarkably handsome, he was tall, well proportioned, and graceful. He had one of the finest voices in England, and played well on several musical instruments. These not only disqualified him for resisting, but increased the amount of the temptations that surrounded him. Thus, while his personal accomplishments fitted him for gaining the affections of the sex, fortune made him a desirable prey for their cupidity. The breath of flattery blew upon him in every direction, and inflamed his vanity and self-love, while all the wiles and allurements which artful wantonness could practise upon unsuspicious youth, were played off against his heart; and thus his passions, which in all probability were complexionally strong, became ungovernable. Coarse undisguised flattery too often makes its way to the hearts of the wisest and the best—How then could a poor youth like Hodgkinson be expected to refuse it, when administered by beauty, and disguised by elegance and refinement.

Co-ordinate with the rise of his fame and fortune therefore was the growth of the evils which were fated to endanger the one, and to make shipwreck of the other; and his professional success and his gallantries, running parallel to each other like the two wheels of a gig, left their marks on every road he travelled in the north of England, to the great delight of the major part of his profession, who sickened at his superiority, and exulted in every thing that threatened to injure his reputation and degrade him in the eyes of the public. Nor did their malice want subjects to work upon: The Statiras and the Roxanas by turns got possession of our young Alexander, and the demon of licentiousness seems to have exercised more than his customary dominion over the ladies, for the ruin of the young man. In whatever company Hodgkinson played, he became the object, too often the victim of their arts, and some unfortunate husband or lover had to deplore the unconcealed infidelity of his cara sposa. Nay, in one instance, theatrical sovereignty itself found its rights invaded, and had to lament a treason which it could not punish. In plain English, the wife of one of his managers played "All for love, or the world well lost," and ran away with him. It was on this occasion he left the northern line of theatres, and joined the company of Bath and Bristol, whither his great professional fame had preceded him.

Persons are every day to be found, who having enjoyed the advantages of early instruction, imbibed in childhood the principles of religion, and grown up in the practice of virtue under the control of a well regulated restraint, have not only deviated lamentably from the paths of rectitude, but been willing to call in sophistry to disarm conscience, or as doctor Johnson says, to lull their imaginations with ideal opiates. Can it appear surprising then that a hot-brained giddy youth like Hodgkinson should find it easy to compound that affair, immoral as it was, with his conscience, and to let it pass by, without making any beneficial impression upon his morals. That there was something belonging to it, which, aided with his sophistry, served to diminish the guilt of it in his eyes, is pretty certain. Hodgkinson was naturally benevolent and just, and filled with those sentiments and sympathies which engender pity for the injured and regret for doing wrong; yet of the man whom he had thus injured, he many times spoke with bitterness and reproach. One day this writer questioned him upon the subject in the warmth of friendship: "How comes it to pass, Hodgkinson, that you never hear the name of —— mentioned without treating it with an asperity foreign to your usual way of speaking, and indeed contrary to your natural disposition?" "He wronged me, most wickedly wronged me," was the answer—"He endeavoured to crush me in my youth."—"You were even with him, then, with a vengeance," replied this writer. "You have heard that unfortunate affair then," said he. "Yes, I have."—"It was greatly his own fault, sir—very little mine. I was young, hot-headed, foolish, very foolish; but never meditated the affair you allude to. The woman was a wanton—I never suspected that the kindnesses she showed me were to lead to guilt. His jealousy stimulated her, and his injustice and malice fired me to revenge, and supplied me with specious arguments of justification. I am sorry it so happened on many accounts. I forgive him, but I cannot hear him mentioned without giving vent to my opinion of him, which is, that he is a very bad fellow, with a very rancorous heart."

On his arrival at Bath, Hodgkinson became acquainted with some of the most respectable people, and was elected a member of the Noblemen's Catch-Club, which was composed of some of the first men in that part of England for rank and opulence. This was of itself, a very honourable mark of distinction, and a signal testimony of the respect in which his talents were held by those gentlemen. He continued to be a member of it, and conducted himself in a manner which every day increased their respect for him, till he left England.

While he belonged to the Bath and Bristol theatres he received an invitation to play at Brighton during the summer residence of the Prince of Wales there, with which invitation he complied. He had been advantageously mentioned to the prince, and his royal highness was desirous to see him perform. Upon this visit an incident occurred which we should think it unpardonable to omit mentioning, not only on account of its importance as it relates to our subject, but as it serves to throw a ray of light on the character of one of the most illustrious personages lining.

The day after his arrival at Brighton, Hodgkinson took a walk, by himself, down the Stein side, and was studiously employed in conning over the part of Belcour in the West Indian, in which character he was that night to make his debût, when his attention was called off by loud words of men high in quarrel. He cast his eyes towards the place from which the noise issued, and perceived at a little distance a crowd apparently engaged in a tumultuous scuffle, he ran up, under the impulse of curiosity to see what the matter might be. Upon reaching the place, he found a well-dressed young man surrounded by a number of persons who looked like gentlemen and who struck at him together, while he, having got his back to a tree, gallantly defended himself, and returned their blows with much energy and good will. Foul play of that kind is rarely attempted in England, and when attempted, seldom fails to bring down just chastisement from the standers by. In fact it is a thing never permitted by the people, who make it a universal rule to show fair play in all cases of quarrel, be the parties who they may; so that if a battle takes place between an Englishman, and even a Frenchman, the latter is as secure of justice, and of his second, and of his bottleholder too, if necessary, as if he were a true-born Englishman. "Fair play, fair play! a ring, a ring! d—n my eyes why should not poor frog-eater have as fair play as any other?" The writer has heard this John Bullish effusion before now, and what was better, seen it generously and justly acted upon.

Hodgkinson was too much a man of that kidney to stand by, a tame spectator of such scandalous foul play, he therefore rushed through the croud, and joining the young man, made the assailants feel the force of his arm, which nature, aided by some skill in the pugilistic art, had in no ordinary degree qualified for that useful purpose. On the present occasion he acted under the impulse of a two-fold duty, first as a generous man bound to sustain the weak and oppressed against injustice and outrage, and secondly, as the person so injuriously attacked, was one who had, on his own private account, a claim to his friendship and assistance. The name of this young man was Fox; he had been a writer for some of the London prints, and having taken to the stage, was stationed with the Brighton company, when Hodgkinson being engaged there for a few nights, was particularly requested by a gentleman who had once been friendly to him, to do any service he could, and to take care of him, as he was very young, wild, and giddy.