SONG.
Why tarries my love?
Ah! where does he rove?
My love is long absent from me.
Come hither, my dove,
I 'll write to my love,
And send him a letter by thee.
To find him, swift fly!
The letter I 'll tie
Secure to thy leg with a string.
Ah! not to my leg,
Fair lady, I beg,
But fasten it under my wing.
Her dove she did deck,
She drew o'er his neck
A bell and a collar so gay;
She tied to his wing
The scroll with a string,
Then kiss'd him and sent him away.
It blew and it rain'd,
The pigeon disdain'd
To seek shelter; undaunted he flew,
Till wet was his wing,
And painful his string,
So heavy the letter it grew.
It flew all around,
Till Colin he found,
Then perch'd on his head with the prize;
Whose heart, while he reads,
With tenderness bleeds,
For the pigeon that flutters and dies.
JOHN TAIT.
John Tait was, in early life, devoted to the composition of poetry. In Ruddiman's Edinburgh Weekly Magazine for 1770, he repeatedly published verses in the Poet's Corner, with his initials attached, and in subsequent years he published anonymously the "Cave of Morar," "Poetical Legends," and other poems. "The Vanity of Human Wishes, an Elegy, occasioned by the Untimely Death of a Scots Poet," appears under the signature of J. Tait, in "Poems on Various Subjects by Robert Fergusson, Part II.," Edinburgh, 1779, 12mo. He was admitted as a Writer to the Signet on the 21st of November 1781; and in July 1805 was appointed Judge of Police, on a new police system being introduced into Edinburgh. In the latter capacity he continued to officiate till July 1812, when a new Act of Parliament entrusted the settlement of police cases, as formerly, to the magistrates of the city. Mr Tait died at his house in Abercromby Place, on the 29th of August 1817.
"The Banks of the Dee," the only popular production from the pen of the author, was composed in the year 1775, on the occasion of a friend leaving Scotland to join the British forces in America, who were then vainly endeavouring to suppress that opposition to the control of the mother country which resulted in the permanent establishment of American independence. The song is set to the Irish air of "Langolee." It was printed in Wilson's Collection of Songs, which was published at Edinburgh in 1779, with four additional stanzas by a Miss Betsy B——s, of inferior merit. It was re-published in "The Goldfinch" (Edinburgh, 1782), and afterwards was inserted in Johnson's "Musical Museum." Burns, in his letter to Mr George Thomson, of 7th April 1793, writes—"'The Banks of the Dee' is, you know, literally 'Langolee' to slow time. The song is well enough, but has some false imagery in it; for instance—