RICHARD GALL.
Richard Gall was born in December 1776, at Linkhouse, near Dunbar. His father was a notary; but, being in poor circumstances, he apprenticed his son, in his eleventh year, to a relative, who followed the conjoined business of a builder and house-carpenter. The drudgery of heavy manual labour proved very uncongenial; and the apprentice suddenly took his departure, walking a long distance to Edinburgh, whither his parents had removed their residence. He now selected the profession of a printer, and entered on an indenture to Mr David Ramsay of the Edinburgh Evening Courant. At the close of his apprenticeship, he became Mr Ramsay's travelling clerk.
In the ordinary branches of education, young Gall had been instructed in a school at Haddington; he took lessons in the more advanced departments from a private tutor during his apprenticeship. He wrote verses from his youth, and several of his songs became popular, and were set to music. His poetical talents attracted the attention of Robert Burns and Hector Macneill, both of whom cherished his friendship,—the former becoming his correspondent. He also shared the intimacy of Thomas Campbell, and of Dr Alexander Murray, the distinguished philologist.
His promising career was brief; an abscess broke out in his breast, which medical skill could not subdue. After a lingering illness, he died on the 10th of May 1801, in his twenty-fifth year. He had joined a Highland volunteer regiment; and his remains were accompanied by his companions-in-arms to the Calton burial-ground, and there interred with military honours.
Possessed of a lively and vigorous fancy, a generous warmth of temperament, and feelings of extreme sensibility, Richard Gall gave promise of adorning the poetical literature of his country. Patriotism and the beauties of external nature were the favourite subjects of his muse, which, as if premonished of his early fate, loved to sing in plaintive strains. Gall occasionally lacks power, but is always pleasing; in his songs (two of which have frequently been assigned to Burns) he is uniformly graceful. He loved poetry with the ardour of an enthusiast; during his last illness he inscribed verses with a pencil, when no longer able to wield the pen. He was thoroughly devoid of personal vanity, and sought to advance the poetical reputation of his country rather than his own. In his lifetime, his pieces were printed separately; a selection of his poems and songs, with a memoir by Alexander Balfour, was published in 1819.
HOW SWEET IS THE SCENE.
How sweet is the scene at the waking o' morning!
How fair ilka object that lives in the view!
Dame Nature the valley an' hillock adorning,
The wild-rose an' blue-bell yet wet wi' the dew.
How sweet in the morning o' life is my Anna!
Her smiles like the sunbeam that glints on the lea;
To wander an' leave the dear lassie, I canna;
Frae Truth, Love, an' Beauty, I never can flee.
O lang hae I lo'ed her, and lo'ed her fu' dearly,
For saft is the smile o' her bonny sweet mou';
An' aft hae I read in her e'en, glancing clearly,
A language that bade me be constant an' true.
Then ithers may doat on their gowd an' their treasure;
For pelf, silly pelf, they may brave the rude sea;
To lo'e my sweet lassie, be mine the dear pleasure;
Wi' her let me live, an' wi' her let me die.