Madam,
Amongst the numeral propositions towards a matrimonial union with your amiable person, I hope you’ll not decline the interjection of my preliminary pretences. I should not wish to be a mere noun adjective to you in all cases, but I positively declare, that comparatively speaking, I should be superlatively happy to agree with you in the subjunctive mood. I trust you’ll not opiniate me singular, for desiring to have the plural in my family; I shall fabricate no verbal oration, to prove how I long to have our affections in common of two: but I presume, that in case of a conjunction copulative, you’ll use no indicative solicitation to be in the imperative mood, as I am determined to be in the potential active, while you are in the future passive, or in the supine: for it is the optative of my soul to become your relative, by the antecedent of regular conjugation, as this alone can constitute a lawful concord with the feminine gender, and afford us a participle of substantive happiness. Every article possessive or genitive shall become a dative translation to you; nothing shall be accusative against your government; and your sweet nominative without a pronoun or even adverb shall be my vocative, till death the great ablative of all living, by the gradual declention of our corporeal nature, puts a final termination to the present tense, and time, thro’ an infinite progression of ages, may render us preterperfect in the future tense; in the interim, my principal part of speech in its primitive or derivative extension is, to the end, that you may put the most charitable construction on this simple proposition, and that your definitive resolution may be consonant to the wishes of your very indeclinable lover
MICHAEL DE MARIBUS.
ANECDOTES.
On the first night of the representation of the comedy of the Suspicious Husband, Foote sat by a plain, honest, well meaning citizen, whose imagination was strongly impressed by the incidents of the play. At dropping of the curtain, the wit complained to his neighbour of the impropriety of suffering Ranger to go off as he came on, without being reclaimed. “Could not the author,” said he, “throw this youth, in the course of his nocturnal rambles, into some ridiculous scene of distress, which might have reclaimed him? As he now stands, who knows but the rogue, after all the pleasure he has given us, may spend the night in a round house;” “Then,” says the Citizen, “if it happens in my Ward, I’ll release him, for I’m sure he is too honest a fellow to run away from his bail.”
A young woman lately applied to the manager of a Theatre to be engaged as a vocal performer---When required to give an instance of her ability, she began Mr. Incledon’s celebrated ballad of Ma chere amie my charming fair, thus---“March after me, my charming fair;”---The manager bowed, and the lady became scarce.
GRACEFULNESS.
He who seeks to know the origin of Gracefulness, must look for it in his own mind; whatever is graceful there, must be so in expression. It is a quality analogous to the most exquisite tenderness of affliction; that sweet enthusiasm of action which goes hand in hand with beauty; or, if we may be allowed the phrase, it is the soul of beauty, the emphasis of pleasing expression.——Grace is the sublimity of beauty; the modest pride of virtue; the gentle dignity of love. An attitude expressive of the pensive and pleasing melancholy, a sentiment peculiar to the finest souls, is ever most graceful. The loveliest of the graces has on her face a cast of sadness mixed with the sweetest joy.
