on a barrow in a field near the high road, on the tenement called Trethevye. A friend who was with me took a rough measurement of the upper or covering stone, and calculated it to be about five tons weight. The stones which form this Cromlech are supposed to have
been brought some miles from where they stand, as there are none of the same kind near it. That this is a work of art there cannot be a doubt. One can hardly, however, suppose it possible that such immense stones could have been brought from a distance, and erected in the manner they are. What machinery was used baffles all conjecture. The upper or covering stone has a hole in it; for what purpose I have no idea, unless to support a flag-pole. One of the party remarked it might have been made for a chain to drag it by; but I rather thought it too near the edge for that purpose. Mr. Britton, in his “Beauties of England and Wales,” has given a vignette of this Cromlech, which is well executed, and like the original. Speaking of this Cromlech, Mr. B. says, he believes it has not been described by any writer,[30] though it is more curious and of greater magnitude than that of Mona, or any other he was acquainted with. He says “it standeth about one mile and a half east of St. Cleer, on an eminence commanding an extensive tract of country, particularly to the east, south, and south-west; and is provincially denominated Trevethey Stone. On the north the high ground of the Moors exalts its swelling outline above it. It is all of granite, and consists of six upright stones, and one large slab covering them in an inclined position. This impost measures sixteen feet in length and ten broad, and is at a medium about fourteen inches thick. It rests on five of the uprights only; and at its other end is perforated by a small circular hole. No tradition exists as to the
time of its erection; but its name at once designates it being a work of the Britons, and sepulchral; the term Trevedi (Trevethi) signifying, in the British language, the place of the Graves.”
King Doniert is said to have been the father of St. Ursula, rendered famous by her unfortunate expedition from Cornwall to the coast of Flanders, but still more famous by the beautiful picture of her embarkation, painted by Claude de Lorraine, where the Saint, accompanied by her eleven thousand virgins, are descending to their ships in a port, decorated with buildings the most superb, and surrounded by a distant landscape, imagined and arranged in the highest style of that celebrated master.
Those ladies, although an exaggeration from eleven to eleven thousand is suspected by some writers, were to have married a Roman emperor and his principal officers; but being attacked on their landing by Pagan Saxons, they defended themselves with a courage worthy of Cornwall, until all were slain with arms in their hands. Yet one hardly sees why these heroic females were honoured among the saints. Their deaths as martyrs are referred to the 20th of October 383, and their tomb is still shown at Cologne, where a monastery has been built to their memory.
THE EDITOR.
Not far from King Doniert’s stone monument is another perpendicular moor-stone, on which is still apparent the figure of a cross; and on another, not far distant, is a cross shaped like a T.
Without doubt I think this our King Doniert lived and died in his town and castle of Leskeard, where it was not lawful to bury the bodies of dead men till the year 700. It is moreover to be noted, with regard to the inscription on his monument of stone, that about this time it was customary to pray for departed souls.
Not very distant from the said monument, in the open downs, are to be seen a great number of moor-stones, some artificially squared, and placed in a perpendicular manner about three feet high. These are commonly called the Hurlers: a Druidical monument having been changed, by the fraud and artifice of the priests, into a supposed monument of God’s vengeance against persons for not attending on their masses.
St. Cleer measures 9118 statute acres.