[[138]]
NOTES
[[139]]
[1]. Twigs: Vigfusson comments at some length on “the rite practised in the heathen age of inquiring into the future by dipping bunches of chips or twigs into the blood (of sacrifices) and shaking them.” But the two operations may have been separate, the twigs being simply “divining-rods” marked with runes. In either case, the gods were seeking information by magic as to where they could find plenty to drink. Ægir: a giant who is also the god of the sea; little is known of him outside of what is told here and in the introductory prose to the Lokasenna, though Snorri has a brief account of him, giving his home as Hlesey (Läsö, cf. Harbarthsljoth, 37). Grimnismol, 45, has a reference to this same feast. [[140]]
[2]. Mountain-dweller: the giant (Ægir). Line 2: the principal word in the original has defied interpretation, and any translation of the line must be largely guesswork. Ygg: Othin; his son is Thor. Some editors assume a gap after this stanza.
[3]. Word-wielder: Thor. The giant: Ægir. Sif: Thor’s wife; cf. Harbarthsljoth, 48. The kettle: Ægir’s kettle is possibly the sea itself.
[4]. Tyr: the god of battle; his two great achievements were thrusting his hand into the mouth of the wolf Fenrir so that the gods might bind him, whereby he lost his hand (cf. Voluspo, 39, note), and his fight with the hound Garm in the last battle, in which they kill each other. Hlorrithi: Thor.
[5]. Elivagar (“Stormy Waves”): possibly the Milky Way; [[141]]cf. Vafthruthnismol, 31, note. Hymir: this giant figures only in this episode. It is not clear why Tyr, who is elsewhere spoken of as a son of Othin, should here call Hymir his father. Finnur Jonsson, in an attempt to get round this difficulty, deliberately changed the word “father” to “grandfather,” but this does not help greatly.
[6]. Neither manuscript has any superscriptions, but most editors have supplied them as above. From this point through stanza 11 the editors have varied considerably in grouping the lines into stanzas. The manuscripts indicate the third lines of stanzas 7, 8, 9, and 10 as beginning stanzas, but this makes more complications than the present arrangement. It is possible that, as Sijmons suggests, two lines have been lost after stanza 6.