[46]. Freyja now admits the identity of her boar as Ottar, who [[232]]with the help of the “memory-beer” is to recall the entire genealogy he has just heard, and thus win his wager with Angantyr.

[47]. Heithrun: the she-goat that stands by Valhall (cf. Grimnismol, 25), the name being here used simply of she-goats in general, in caustic comment on Freyja’s morals. Of these Loki entertained a similar view; cf. Lokasenna, 30.

[48]. Oth: cf. stanza 6 and note, and Voluspo, 25 and note. Lines 3–4, abbreviated in the manuscript, are very likely repeated here by mistake.

[49]. The manuscript repeats once again lines 3–4 of stanza 47 as the last two lines of this stanza. It seems probable that two lines have been lost, to the effect that Freyja will burn the giantess alive “If swiftly now | thou dost not seek, / And hither bring | the memory-beer.” [[234]]

[[Contents]]

SVIPDAGSMOL

The Ballad of Svipdag

[[Contents]]

Introductory Note

The two poems, Grougaldr (Groa’s Spell) and Fjolsvinnsmol (the Ballad of Fjolsvith), which many editors have, very wisely, united under the single title of Svipdagsmol, are found only in paper manuscripts, none of them antedating the seventeenth century. Everything points to a relatively late origin for the poems: their extensive use of “kennings” or poetical circumlocutions, their romantic spirit, quite foreign to the character of the unquestionably older poems, the absence of any reference to them in the earlier documents, the frequent errors in mythology, and, finally, the fact that the poems appear to have been preserved in unusually good condition. Whether or not a connecting link of narrative verse joining the two parts has been lost is an open question; on the whole it seems likely that the story was sufficiently well known so that the reciter of the poem (or poems) merely filled in the gap with a brief prose summary in pretty much his own words. The general relationship between dialogue and narrative in the Eddic poems is discussed in the introductory note to the Grimnismol, in connection with the use of prose links.