[INTRODUCTION]
THE POETIC SPIRIT OF LINCOLN
By Marion Mills Miller
(See [biographical sketch] on page 146)
Some years ago, while editing Henry C. Whitney's "Life of Lincoln" I showed a photograph of the bust of Lincoln by Johannes Gelert, the most intellectual to my mind of all the studies of his face, to a little Italian shoeblack, and asked him if he knew who it was. The boy, evidently prompted by a recent lesson at school, said questioningly, "Whittier?—Longfellow?" I replied, "No, it is Lincoln, the great President." He answered, "Well, he looks like a poet, anyway."
This verified a conclusion to which I had already come: Lincoln, had he lived in a region of greater culture, such as New England, might not have adopted the engrossing pursuits of law and politics, but, as did Whittier, have remained longer on the farm and gradually taken up the calling of letters, composing verse of much the same order as our Yankee bards', and poetry of even higher merit than some produced.
It is not generally known that Lincoln, shortly before he went to Congress, wrote verse of a kind to compare favorably with the early attempts of American poets such as those named. Thus the two poems of his which have been preserved, for his early lampoons on his neighbors have happily been lost, are equal in poetic spirit and metrical art to Whittier's "The Prisoner for Debt," to which they are strikingly similar in melancholic mood.
In 1846, at the age of 37, Lincoln conducted a literary correspondence with a friend, [William Johnson by name, of like poetic tastes. In April of this year he wrote the following letter to Johnson:]