THE SECOND PERIOD
THE EIGHTEENTH CENTURY

SIR RICHARD STEELE, 1709
(1672-1729)

The play of “The London Cuckolds” was acted this evening before a suitable audience, who were extremely well diverted with that heap of vice and absurdity. The indignation which Eugenio, who is a gentleman of just taste, has, upon occasion of seeing human nature fall so low in their delights, made him, I thought, expatiate upon the mention of this play very agreeably. “Of all men living,” said he, “I pity players (who must be men of good understanding to be capable of being such) that they are obliged to repeat and assume proper gestures for representing things, of which their reason must be ashamed, and which they must disdain their audience for approving. The amendment of these low gratifications is only to be made by people of condition, by encouraging the presentation of the noble characters drawn by Shakespeare and others, from whence it is impossible to return without strong impressions of honour and humanity. On these occasions distress is laid before us with all its causes and

consequences, and our resentment placed according to the merit of the persons afflicted. Were dramas of this nature more acceptable to the taste of the town, men who have genius would bend their studies to excel in them.”

The Tatler, No. 8, 28 April 1709.

The London Cuckolds, by Edward Ravenscroft, first produced 1682.

NICHOLAS ROWE, 1709
(1674-1718)