Loath this base world, and thinke of heaven’s bliss;
And though ye be the fairest of God’s creatures,
Yet thinke that Death shall spoyle your goodly features.
Translation of Edmund Spenser. Francesco Petrarca, 1304–1374.
THE CAMPAGNA OF ROME.
Perhaps there is no more impressive scene on earth than the solitary extent of the Campagna of Rome under evening light. Let the reader imagine himself for a moment withdrawn from the sounds and motion of the living world, and sent forth alone into this wild and wasted plain. The earth yields and crumbles beneath his foot, tread he never so lightly, for its substance is white, hollow, and carious, like the dusty wreck of the bones of men. The long, knotted grass waves and tosses feebly in the evening wind, and the shadows of its motion shake feverishly along the banks of rivers that lift themselves to the sunlight. Hillocks of moldering earth heave around him, as if the dead beneath were struggling in their sleep; scattered blocks of black stone, four square, remnants of mighty edifices, not one left upon another, lie upon them to keep them down. A dull purple, poisonous haze stretches level along the desert, vailing its spectral wrecks of massy ruins, on whose rents the red light rests like dying fire on defiled altars. The blue ridge of the Alban mount lifts itself against a solemn space of green, clear, quiet sky. Watch-towers of dark clouds stand steadfastly along the promontories of the Apennines. From the plain to the mountains, the shattered aqueducts, pier beyond pier, melt into the darkness, like shadowy and countless troops of funeral mourners passing from a nation’s grave.
John Ruskin.
THE WAVE OF LIFE.
FROM THE GERMAN.
“Whither, thou turbid wave?