“To see the deep, fermenting tempest brewed,
In the grim evening sky;”
that next day we may cross the red rivers by bridges, not by fords; and if they roll along unbridged, that we may set our face to the mountain, and wind our way round his shoulder by sheep-tracks, unwet with the heather, till we behold some great strath, which we had not visited but for that storm, with its dark blue river streaked with golden light,—for its source is in a loch among the Eastern Range; and there, during the silent hours, heather, bracken, and greensward rejoiced in the trembling dews.
There is no such climate for all kinds of beauty and grandeur as the climate of the Highlands. Here and there you meet with an old shepherd or herdsman, who has beguiled himself into a belief, in spite of many a night’s unforeseen imprisonment in the mists, that he can presage its changes from fair to foul, and can tell the hour when the long-threatening thunder will begin to mutter. The weather-wise have often perished in their plaids. Yet among a thousand uncertain symptoms, there are a few certain, which the ranger will do well to study, and he will often exult on the mountain to feel that “knowledge is power.” Many a glorious hour has been won from the tempest by him before whose instructed eye—beyond the gloom that wide around blackened all the purple heather—“far off its coming shone.” Leagues of continuous magnificence have gradually unveiled themselves on either side to him, as he has slowly paced, midway between, along the banks of the River of Waterfalls; having been assured by the light struggling through the mist, that it would not be long till there was a break-up of all that ghastly dreariment, and that the sun would call on him to come forth from his cave of shelter, and behold in all its pride the Glen affronting the Sea.
Some Tourists—as they call themselves—are provided with map and compass; and we hope they find them of avail in extremities, though we fear few such understand their use. No map can tell—except very vaguely—how the aspect of the localities, looked at on its lines, is likely to be affected by sunrise, meridian, or sunset. Yet, true it is, that every region has its own happy hours, which the fortunate often find unawares, and know them at once to be so the moment they lift up their eyes. At such times, while “our hearts rejoice in Nature’s joy,” we feel the presence of a spirit that brings out the essential character of the place, be it of beauty or of grandeur. Harmonious as music is then the composition of colours and of forms. It becomes a perfect picture in memory, more and more idealised by imagination, every moment the veil is withdrawn before it; its aërial lineaments never fade; yet they too, though their being be but in the soul, are mellowed by the touch of time—and every glimpse of such a vision, the longer we live, and the more we suffer, seems suffused with a mournful light, as if seen through tears.
It would serve no good purpose, supposing we had the power, to analyse the composition of that scenery, which in the aggregate so moves even the most sluggish faculties, as to make “the dullest wight a poet.” It rises before the mind in imagination, as it does before the eyes in nature; and we can no more speak of it than look at it, but as a whole. We can indeed fix our mental or our visual gaze on scene after scene to the exclusion of all beside, and picture it even in words that shall be more than shadows. But how shall any succession of such pictures, however clear and complete, give an idea of that picture which comprehends them all, and infinite as are its manifestations, nevertheless is imbued with one spirit?
Try to forget that in the Highlands there are any Lochs. Then the sole power is that of the Mountains. We speak of a sea of mountains; but that image has never more than momentary possession of us, because, but for a moment, in nature it has no truth. Tumultuary movements envelope them; but they themselves are for ever steadfast and for ever still. Their power is that of an enduring calm no storms can disturb—and is often felt to be more majestical, the more furious are the storms. As the tempest-driven clouds are franticly hurrying to and fro, how serene the summits in the sky! Or if they be hidden, how peaceful the glimpses of some great mountain’s breast! They disregard the hurricane that goes crashing through their old woods; the cloud-thunder disturbs not them any more than that of their own cataracts, and the lightnings play for their pastime. All minds under any excitation more or less personify mountains. When much moved, that natural process affects all our feelings, as the language of passion awakened by such objects vividly declares; and then we do assuredly conceive of mountains as indued with life—however dim and vague the conception may be—and feel their character in their very names. Utterly strip our ideas of them of all that is attached to them as impersonations, and their power is gone. But while we are creatures of imagination as well as of reason, will those monarchs remain invested with the purple and seated on thrones.
In such imaginative moods as these must every one be, far more frequently than he is conscious of, and in far higher degrees, who, with a cultivated mind and a heart open to the influences of nature, finds himself, it matters not whether for the first or the hundredth time, in the Highlands. We fancy the Neophyte wandering, all by himself, on the “longest day;” rejoicing to think that the light will not fail him, when at last the sun must go down, for that a starry gloaming will continue its gentle reign till morn. He thinks but of what he sees, and that is—the mountains. All memories of any other world but that which encloses him with its still sublimities, are not excluded merely, but obliterated: his whole being is there! And now he stands on table-land, and with his eyes sweeps the horizon, bewildered for a while, for it seems chaos all. But soon the mighty masses begin arranging themselves into order; the confusion insensibly subsides as he comprehends more and more of their magnificent combinations; he discovers centres round which are associated altitudes towering afar off; and finally, he feels, and blesses himself on his felicity, that his good genius has placed him on the very centre of those wondrous assemblages altogether, from which alone he could command an empire of realities, more glorious far than was ever empire of dreams.
It is a cloudy, but not a stormy day; the clouds occupy but portions of the sky,—and are they all in slow motion together, or are they all at rest? Huge shadows stalking along the earth, tell that there are changes going on in heaven; but to the upward gaze, all seems hanging there in the same repose; and with the same soft illumination the sun to continue shining, a concentration rather than an orb of light. All above is beautiful, and the clouds themselves are like celestial mountains; but the eye forsakes them, though it sees them still, and more quietly now it moves along the pageantry below that endures for ever—till chained on a sudden by that range of cliffs. ’Tis along them that the giant shadows are stalking—but now they have passed by—and the long line of precipice seems to come forward in the light. To look down from the brink might be terrible—to look up from the base would be sublime—but fronting the eye thus, horrid though it be, the sight is most beautiful;—for weather-stains, and mosses, and lichens, and flowering-plants—conspicuous most the broom and the heather—and shrubs that, among their leaves of light, have no need of flowers—and hollies, and birks, and hazels, and many a slender tree besides with pensile tresses, besprinkle all the cliffs, that in no gloom could ever lose their lustre; but now the day though not bright is fair, and brings out the whole beauty of the precipice—call it the hanging garden of the wilderness.