Kilmer, Joyce. [1886-1918] (4) Born at New Brunswick, N.J., Dec. 6, 1886. Educated at Columbia University. After a short period of teaching he became associated with the Funk and Wagnalls Company, where he remained from 1909 to 1912 when he assumed the position of literary editor of `The Churchman'. His next step was to associate himself with the staff of the `New York Times', where he became a well-known feature writer, doing in particular a series of interviews with literary people which were later incorporated into a book. During this period he contributed poetry to the leading magazines and published several collections, of which the first, "A Summer of Love", was published in 1911 and was followed by "Trees, and Other Poems", 1914, and "Main Street and Other Poems", 1917. His work, human in mood, mellow in quality, full of tenderness and reverence for the old sanctities, soon drew to itself a large audience, an audience greatly enhanced by the poet's personal contacts. His kindly and whimsical humor, his charm of personality, his enthusiasm and sympathy, won for him a large group of friends and radiated to the wider group who became his readers. In 1908 he married Aline Murray, herself a poet, and several children were born to them, celebrated in the poems of both parents. Upon America's entry into the World War, Joyce Kilmer enlisted, and after a short period of training was sent to France with the 165th Infantry, formerly the "Fighting 69th", a regiment of Irish blood and of the Catholic religion, to which he had himself become an adherent. He was made a sergeant and served with conspicuous gallantry, so much so, indeed, that it was said of him by the chaplain of the regiment that he "had a romantic passion for death in battle." He was promoted to the Intelligence Department of the service where the personal risk was the greatest, and was killed in action at the battle of the Ourcq, July 30, 1918. He was buried within sound of the river. Since his death two volumes containing his complete work in prose and verse, his letters from abroad, and an excellent memoir written by his friend, Robert Holliday, have been published and will do much to perpetuate the memory of this beloved soldier-poet.
Kreymborg, Alfred. [1883-1966] (2) Born in New York City and educated in the public schools of New York. Mr. Kreymborg was the founder and editor of a little magazine called `Others', which became the organ of a group of insurgent poets. Also under the title of "Others", he has issued at intervals selections from the work of these poets, forming a novel and interesting anthology. In addition to writing poetry which he has published in a collection called "Mushrooms", 1917, Mr. Kreymborg is the author of several brief poetic plays which he presents as "Poem-Mimes", performed by puppets.
Lee, Agnes (Mrs. Otto Freer). [1868-1939] (2) Born in Chicago, Ill. Educated in Switzerland. Married, 2d, Otto Freer, 1911. Author of "The Round Rabbit", 1898; "The Border of the Lake", 1910; "The Sharing", 1914; translator of the poems of Theophile Gautier, and of "The Gates of Childhood", by Fernand Gregh. A contributor of poems to the leading magazines, particularly `Poetry', of Chicago.
Lee, Muna. [1895-1965] (1) Miss Lee spent her early life in Oklahoma, and first came into notice as a poet by gaining a prize given by `Poetry', of Chicago, for the best lyric verse by a young writer. She afterward came to New York and married Luis Marin, of South America. Is at present living in Porto Rico; has not, as yet, published a volume of poetry.
Ledoux, Louis V. [1880-1948] (3) Born in New York City, June 6, 1880. Educated at Columbia University where he graduated in 1902. He is a poet who writes chiefly upon Greek themes and is the author of "Songs from the Silent Land", 1905; "The Soul's Progress", 1907; "Yzdra: A Poetic Drama", 1909; "The Shadow of Aetna", 1914; "The Story of Eleusis: A Lyrical Drama", 1916.
Leonard, William Ellery. [1876-1944] (2) Born at Plainfield, N.J., Jan. 25, 1876. A.B. Boston University, 1898; A.M. Harvard, 1899. Fellow of Boston University in philology and literature, 1900; student University of Gottingen, 1901; University of Bonn, 1902; fellow of Columbia University, 1902-03; Ph.D. Columbia, 1904. After receiving these various degrees, Mr. Leonard began his work as Instructor of Latin at Boston University, going from there to the University of Wisconsin where he has remained continuously since 1906, as Assistant Professor of English. He has written extensively on classic subjects, in addition to his work in poetry, and has also published volumes in the field of literary criticism. His best-known works are: "Byron and Byronism in America", 1905; "Sonnets and Poems", 1906; "The Fragments of Empedocles", 1908; "The Poet of Galilee", 1909; "The Vaunt of Man", 1912; "Glory of the Morning", a play, 1912; "Aesop and Hyssop", 1913. Mr. Leonard has also made a remarkable blank-verse translation of Lucretius, which was published in 1916, and has translated from the Greek and the German.
Lindsay, Vachel. [1879-1931] (4) Born in Springfield, Ill., Nov. 10, 1879. Educated at Hiram College, Ohio. His first intention was to enter the field of art and he became a student at the Art Institute of Chicago where he remained from 1900 to 1903, continuing his work at the New York School of Art, 1904-05, under the personal instruction of Wm. Chase and Robert Henri. For a time after his technical study, he lectured upon art in its practical relation to the community, and returning to his home in Springfield, Ill., issued what might be termed his manifesto in the shape of "The Village Magazine", divided about equally between prose articles pertaining to the beautifying of his native city, and poems, illustrated by his own drawings. Both the verse and drawings showed a delightful imagination; the poetry in particular, unlike the more elaborate technique of his later work, had a Blake-like simplicity. Soon after the publication of "The Village Magazine", Mr. Lindsay, taking as scrip for the journey, "Rhymes to be Traded for Bread", made a pilgrimage on foot through several Western States, going as far afield as New Mexico. The story of this journey is given in his volume, "Adventures While Preaching the Gospel of Beauty", 1916. Mr. Lindsay had taken an earlier journey on foot, from Jacksonville, Fla., to Springfield, Ill., which he has recorded in "A Handy Guide for Beggars", also 1916. This is much the finer volume of the two and should take its place with the permanent literature of vagabondage. In 1913 Mr. Lindsay came into wide notice by his poem, "General William Booth Enters into Heaven", which became the title poem of his first volume of verse, published in 1913. This was followed by "The Congo", 1914; "The Chinese Nightingale", 1917; and "Golden Whales of California", 1920. He based all his later work upon the idea of poetry as a spoken art and developed it along the line of rhythm. His work is unique, he adhered to no "school", nor has he found imitators. He rendered his own work so as to bring out all of its rhythmic possibilities and became quite as well known for his interpretations of his work as for the work itself. Much of his verse is social in appeal, but he was at his best in poems of more imaginative beauty, such as "The Chinese Nightingale".
Lowell, Amy. [1874-1925] (5) Born in Brookline, Mass., Feb. 9, 1874. Educated at private schools. Author of "A Dome of Many-Coloured Glass", 1912; "Sword Blades and Poppy Seed", 1914; "Men, Women and Ghosts", 1916; "Can Grande's Castle", 1918; "Pictures of the Floating World", 1919. Editor of the three successive collections of "Some Imagist Poets", 1915, '16, and '17, containing the early work of the "Imagist School" of which Miss Lowell became the leader. This movement, of which we have spoken in the notes upon the work of "H. D." and John Gould Fletcher, originated in England, the idea having been first conceived by a young poet named T. E. Hulme, but developed and put forth by Ezra Pound in an article called "Don'ts by an Imagist", which appeared in `Poetry; A Magazine of Verse'. As previously stated, a small group of poets gathered about Mr. Pound, experimenting along the technical lines suggested, and a cult of "Imagism" was formed, whose first group-expression was in the little volume, "Des Imagistes", published in New York in April, 1914. Miss Lowell did not come actively into the movement until after that time, but once she had entered it, she became its leader, and it was chiefly through her effort in America that the movement attained so much prominence and so influenced the trend of poetry for the years immediately succeeding. Miss Lowell many times, in admirable articles, stated the principles upon which Imagism is based, notably in the Preface to "Some Imagist Poets" and in the Preface to the second series, in 1916. She also elaborated it much more fully in her volume, "Tendencies in Modern American Poetry", 1917, in the articles pertaining to the work of "H. D." and John Gould Fletcher. In her own creative work, however, Miss Lowell did most to establish the possibilities of the Imagistic idea and of its modes of presentation, and opened up many interesting avenues of poetic form. Her volume, "Can Grande's Castle", is devoted to work in the medium which she styled "Polyphonic Prose" and contains some of her finest work, particularly "The Bronze Horses". [Amy Lowell won the Pulitzer Prize for Poetry in 1926 (posthumous) for "What's O'Clock". — A. L., 1998.]
Masters, Edgar Lee. [1869-1950] (2) Born Garnett, Kan., Aug. 23, 1869. Educated at Knox College, Ill. He studied law in his father's office and was admitted to the bar in 1891. Married Helen M. Jenkins, of Chicago, in 1898. Mr. Masters wrote several volumes of verse and several poetic dramas, which are now out of print, before he found himself in the "Spoon River Anthology", published first in `Reedy's Mirror' and in book form in 1915. This volume, written in free verse and containing about two hundred brief sketches, or posthumous confessions, shows Mr. Masters to be a psychologist of the keenest penetration, a satirist and humorist, laying bare unsparingly the springs of human weakness, but seeing with an equal insight humanity's finer side. "Spoon River Anthology", which had perhaps a wider recognition than that of any volume of verse of the period, was followed by "Songs and Satires", 1916; "The Great Valley", 1916; "Toward the Gulf", 1917; and "Starved Rock", 1920.
Middleton, Scudder. [1888-1959] (2)
Born in New York City, Sept. 9, 1888. Educated at Columbia University.
Was connected for several years with the publishing firm
of The Macmillan Company. Mr. Middleton is the author of
"Streets and Faces", 1917, and "The New Day", 1919.