The things correspondents were permitted to see differed from those seen on the other fronts less in kind than in quantity. More trips were made, but there is and can be little place for a civilian on a "front," any spot in which, over a strip several miles wide, from the heavy artillery positions of one side to the heavy artillery of the other, may be in absolute quiet one minute and the next the center of fire.

There is no time to bother with civilians during an offensive, and, if a retreat is likely, no commander wishes to have country described which may presently be in the hands of the enemy. Hidden batteries in action, reserves moving up, wounded coming back, flyers, trenches quiet for the moment—this is about as close to actual fighting as the outsider, under ordinary circumstances, can expect to get on any front.

The difference in Austria-Hungary was that correspondents saw these things, and the battle fields and captured cities, not as mere outsiders, picked up from a hotel and presently to be dropped there again, but as, in a sense, a part of the army itself. They had their commandant to report to, their "camp" and "uniform"—the gold-and-black Presse Quartier arm band—and they returned to headquarters with the reasonable certainty that in another ten days or so they would start out again.

Another advantage of the Quartier was the avoidance of the not uncommon friction between the civilians of the Foreign Office and the soldiers of the War Office. The Foreign Office runs things, so to speak, in times of peace and it is to the Foreign Office that the diplomatic representatives of foreign powers apply for favors for their own fellow-citizens. But in war time the army runs things, and the Foreign Office official who has charge of correspondents is continually promising things or wishing to do things he is not sure of being able to carry out. The result is often a rather unpleasant sort of competitive wire-pulling between correspondents, some trying the Foreign Office, some the War Office, some attacking both at the same time—one would even hear it said now and then that the surest way to get anything from the soldiers was to complain to them that the Foreign Office civilians wouldn't do anything for you!

In Austria-Hungary the Presse Quartier acted as a bridge between the two. It was the definite court to which all applicants were referred and a good deal of aimless waiting about and wire-pulling eliminated at once. And having cleared away the preliminary red-tape, the correspondent had, in the Quartier commandant, an agent more likely to push his interests than the civilian officials back in the capital and more likely to be listened to by those at the front.

The war correspondent had been "killed off" so many times in newspapers and magazines of late years that one might expect him to be as dead as the dodo, and of course the old-fashioned "horseback" correspondent—a sort of unofficial envoy extraordinary from the reading public, who carried his own elaborate outfit and rode more or less where he pleased—is extinct. A horse would have been about as useful on most of the European fronts, under the conditions prescribed, as a rowboat. What the correspondent needed, in the few hours he was permitted to see anything, was a fast motor car, and quite as much as the car itself the pass, without which it would have been stopped at the first crossroads.

Wandering round the active front where any point in a strip of several miles wide, however apparently peaceful, is under observation and likely to be at any moment under fire, is not practicable even were it permitted. Modern artillery, long range rifles, aeroplanes and field telephones have put an end to such strolling; while the elaborate system of communication in such highly civilized neighborhoods as those in which the present war is being fought, and the care with which every scrap of information about the enemy is pieced together and coordinated, makes it imperative that every possible source of such information shall be controlled.

Nevertheless the Great War had no sooner started than the old guard bobbed up serenely, and with them new ones—men and women writers, adventurous novelists, privateers of all sorts. They have kept on working and seeing more or less, and have performed necessary and valuable service. They have described the life behind the front, the life in towns, camps, prisons, hospitals and given the news—the rough general outlines—of the swiftly changing drama. Very few have seen any fighting, properly speaking, and although bits of their work here and there deserve to become part of the permanent history of the war, they themselves would be the last to suggest that they have told the real story.

The real story is of two kinds. There is the narrative of the events, the orderly, understanding arrangement and coordination of the showers of facts and rumors that blow in from a hundred sources to the great news centers far from the front. And there is the story of personal experience, the sensations of the individual as he looks into the face of war. The first tells what happened, the other how it felt. For the one, the correspondent is too near, for the other too far away.

The division of the enormous battle fronts into innumerable little news-tight compartments, so to speak, understood in their entirety only by the commanders in chief at the centers of the telegraph and telephone network far behind the front, makes it impossible for a correspondent to see very far beyond his own nose. Even were he permitted to understand the general plan of his own army he could scarcely know, while still at the front, the general plan of the enemy. A well-informed observer working comfortably at his desk in one of the capitals, with the news of the world at his disposal, with experts on every subject within easy calling distance, and with every sort of map and reference book, is much better able to write a story of the war—such a story as this, for instance—than any correspondent actually at the front, however fortunately situated. There have been many such "correspondents at home" and reporters returning from first-hand glimpses of this and that, have often for the first time understood the significance of such details when they were seen through the broad perspective and leisurely analysis of such long-distance observers.