One day, while wandering on the beach, she discovered a long vessel, whose elevated prow, bent mast, and triangular sail announced the elegant genius of the Moors. Blanca ran to the port, into which she soon saw the Barbary vessel enter, making the sea foam under her rapid course. A Moor, most superbly dressed, was standing on the prow. Behind him, two black slaves held by the bridle an Arabian horse, whose smoking nostrils and dishevelled mane indicated both his natural ardour, and the terror with which the noise of the waves affected him. The bark arrives, lowers her sails, touches the pier, and lays to her side; the Moor springs upon the shore, which re-echoes with the sound of his arms. The slaves disembark the leopard-spotted courser, which neighs and leaps with joy at once more finding himself on land. Other slaves lower, with great care, a basket in which lay a gazelle amid palm-tree leaves; her delicate limbs were fastened and doubled under her, for fear of their being broken by the movement of the vessel; she wore a collar of aloe berries, and upon the gold plate, which served to connect the two ends of the collar, were engraved in Arabic a name and a talisman.
Blanca recognized Aben-Hamet; fearful of betraying herself in the presence of the crowd, she retired, and sent Dorothea, one of her attendants, to inform the Abencerrage, that she was waiting for him at the palace of the Moors. Aben-Hamet was at that moment presenting to the governor his firman, written in blue characters on beautiful vellum, and rolled up in a silk case. Dorothea approached, and conducted the happy Abencerrage to the feet of Blanca. What transports, when they found that both had remained faithful! What happiness in seeing each other after having been so long separated! How many fresh vows of eternal affection!
The two black slaves bring the Numidian courser, which, in place of a saddle, had only a lion’s skin thrown over his back and fastened by a purple belt. Afterwards the gazelle was introduced. “Sultana,” said Aben-Hamet, “this is a deer of my country, almost as light-footed as thyself.” Blanca, with her own hands, untied the beautiful animal, which seemed to thank her, by looks of the sweetest expression. During the absence of the Abencerrage, the daughter of the Duke of Santa Fé had been studying Arabic; she read, with tearful eyes, her own name engraved on the gazelle’s collar. The animal, on being restored to her liberty, could scarcely stand upon her feet, from their having been so long tied up; she laid herself down upon the ground, and leaned her head against the knees of her mistress. Blanca gave her some fresh dates, and caressed this doe of the desert, whose fine coat retained the perfume of the aloe wood and of the rose of Tunis.
The Abencerrage, the Duke of Santa Fé and his daughter departed together for Granada. The days of the happy lovers passed like those of the preceding year: the same walks, the same regret at the sight of his country, the same love, or rather love always increasing, and always mutual; but also the same attachment in the two lovers to the religion of their fathers. “Become a Christian,” said Blanca;—“Become a Mussulman,” said Aben-Hamet, and they separated once more, without giving way to the passion which attracted them to each other.
Aben-Hamet reappeared the third year, like those birds of passage, which love brings back to our climates in the spring. This time he found not Blanca on the shore; but a letter from that adored woman informed the faithful Arab of the departure of the Duke for Madrid, and the arrival of Don Carlos at Granada. The latter was accompanied by a French prisoner, friend of Blanca’s brother. The Moor’s heart sunk within him at the perusal of this letter. He set out from Malaga for Granada with the most melancholy forebodings; the mountains appeared to him frightfully solitary: and he several times turned round to look at the sea which he had just crossed.
Blanca, during her father’s absence, had been unable to quit a brother whom she loved, a brother who intended to divest himself of all his property in her favour, and whom she saw again after seven years’ absence. Don Carlos possessed all the courage and all the pride of his nation: terrible as the conquerors of the New World, in whose ranks he had first carried arms; religious like the Spanish knights who conquered the Moors, he cherished in his heart that hatred of the infidels which he inherited from the blood of the Cid.
Thomas de Lautrec, of the illustrious house of Foix, in which beauty in the females and bravery in the males were regarded as hereditary qualities, was the younger brother of the Countess de Foix, and of the brave and unfortunate Odet de Foix, Lord of Lautrec. At the age of eighteen, Thomas had been knighted by Bayard, in that retreat which cost the life of the knight without fear and without reproach. Some time after, Thomas was pierced with wounds and made prisoner at Pavia, while defending the chivalrous monarch, who then lost all, except his honour.
Don Carlos de Bivar, who was a witness of the gallantry of Lautrec, had caused care to be taken of the wounds of the young Frenchman, and there was speedily formed between them one of those heroic friendships, of which esteem and virtue are the foundations. Francis I. had returned to France, but Charles V. detained the other prisoners. Lautrec had had the honour to share his sovereign’s captivity, and to lie at his feet in prison. Having remained in Spain, after the departure of his king, he had been handed over on his parole to Don Carlos, who had just brought him to Granada.
When Aben-Hamet presented himself at the palace of Don Rodrigo, and the door of the apartment in which was the Duke of Santa Fé’s daughter was opened, he experienced torments hitherto unknown to him. At the feet of Donna Blanca was seated a young man, who was looking at her in silence with a species of transport. This young man wore breeches made of buffalo’s skin, and a doublet of the same colour, fastened by a belt from which was suspended a sword with fleurs-de-lis. A silk mantle was thrown over his shoulders, and his head was covered with a narrow-brimmed hat, surmounted with feathers. A lace ruff, falling back on his bosom, allowed his neck to be seen. A pair of moustaches, black as ebony, gave a masculine and warlike air to a countenance naturally mild. To his large boots, which fell down and doubled over his feet, were attached golden spurs, the marks of knightly quality.
At some distance, another knight was standing, leaning on the iron cross of his long sword; he was dressed like his companion, but seemed rather older. His austere look, though at the same time ardent and passionate, inspired respect and awe. The red cross of Calatrava was embroidered on his doublet with this device: For it and for my king.