Under the window is a man,
Playing an organ all the day,
Grinding as only a cripple can,
In a moody, vague, uncertain way.
His coat is blue and upon his face
Is a look of highborn, restless pride,
There is somewhat about him of martial grace
And an empty sleeve hangs at his side.
"Tell me, warrior bold and true,
In what carnage, night or day,
Came the merciless shot to you,
Bearing your good, right arm away?"
Fire dies out in the patriot's eye,
Changed my warrior's tone and mien,
Choked by emotion he makes reply,
"Kansas—harvest—threshing machine!"


THE TALE OF THE TANGLED TELEGRAM

BY WILBUR D. NESBIT

James Trottingham Minton had a cousin who lived in St. Louis. "Cousin Mary," Lucy Putnam discovered by a process of elimination, was the one topic on which the reticent Mr. Minton could become talkative. Mary was his ideal, almost. Let a girl broach the weather, he grew halt of speech; should she bring up literature, his replies were almost inane; let her seek to show that she kept abreast of the times, and talk of politics—then Jimmy seemed to harbor a great fear in his own soul. But give him the chance to make a few remarks about his cousin Mary and he approached eloquence. For this reason Lucy Putnam was wise enough to ask him something about Mary every so often.

Now, the question arises: Why should Lucy Putnam, or any other girl, take any interest in a man who was so thoroughly bashful that his trembling efforts to converse made the light quivering aspen look like a ten-ton obelisk for calmness? The reason was, and is, that woman has the same eye for babies and men. The more helpless these objects, the more interested are the women. The man who makes the highest appeal to a woman is he whose tongue cleaves to the roof of his mouth and who does not know what to do with his hands in her presence. She must be a princess, he a slave. Each knows this premise is unsupported by facts, yet it is a joyous fiction while it lasts. James Trottingham Minton was not a whit bashful when with men. No. He called on Mr. Putnam at his office, and with the calmness of an agent collecting rent, asked him for the hand of his daughter.

"Why, Jimmy," Mr. Putnam said good-naturedly, "of course I haven't any objections to make. Seems to me that's a matter to be settled between you and Lucy."

Jimmy smiled confidentially.

"I suppose you're right, Mr. Putnam. But, you see, I've never had the nerve to say anything about it to her."

"Tut, tut. Nothing to be scared of. Nothing at all. What's the matter with you, young man? In my day, if a fellow wanted to marry a girl he wouldn't go and tell her father. He'd marry her first and then ask the old man where they should live."