In general, the donors' expectation of gratitude was justified, but even so early as 1881 there were limits to artistic credulity; and some offerings drove the club president, Miss Claudia Loraine, and the club secretary, Miss Emma Hopkins, to "the coal hold." This was a wee closet under the stairs, where the coal scuttles were ranged, until they should fare forth to replenish the "base burners" which warmed the Museum home. In real life the name of the Museum's lodgings was Harness Block, and Mr. Harness had proffered the cause of art two empty stores, formerly a fish market and a grocery. As there was no private office (only a wire cage), when Miss Hopkins felt the need of frank speech she signaled Claudia to the coal hole.
She was closeted with her thus on the morning of the second day. The subject of the conference was the last assault on the nerves of the committee, perpetrated by the Miller twins—not in person, but with their china. The china, itself, had the outward semblance of ordinary blue earthen ware of a cheap grade; but the Miller twins were convinced (on the testimony of their dear old minister, who never told a lie in his life, and who had heard the Millers' grandmother say—and everybody knows that she was a saint on earth, and she was ninety years old at the time, and would she be likely to lie almost on her dying bed?—you might call it her dying bed, averred Miss Miller, since she was bedridden for two years before her death, on that same old four-poster bedstead which belonged to her mother, and at last died on it) that the blue ware had been the property of George the Third, had been sold and was on board the ship with the tea which was rifled in Boston Harbor. They had insisted in pasting these royal claims upon the china in the blackest and neatest lettering. The awkward fact that earthenware does not usually grace a royal board, or that the saintly old grandmother mixed up dates and persons in a wonderful way during her latter days, made no difference to her loyal descendants. Each platter with the black chipping betraying plainly its lowly origin, each tea-cup mended with cement, bore the paper-claim pasted securely upon it.
"It took up a whole afternoon," said Miss Tina Miller, "but it's so precious and there might be other blue ware and it might get mixed—you'll insure it, Miss Hopkins? not that money could replace such things, but, at least"—Miss Tina Miller always left her sentences in the air, seemingly too diffident to complete them, once the auditors were assured of their import.
The Millers kept a tiny little house on a tiny little income; but gave of all they had to give, themselves, without stint. They were public-spirited women, if Fairport ever held any such. Although they had neither brothers nor cousins to go to the war, they had picked lint and made bandages and trudged with subscription papers and scrimped for weeks to have money to spend at the patriotic fairs. In consequence they were deeply respected, so respected that it was simply impossible to refuse their unselfish offering of their dearest god.
"I think it just noble of you," said Miss Tina. "Sister and I felt we must help; so we brought the King George china and a little pencil head our sister Euphrosyne did. The one who died, you know. I'm sorry all your—art things—aren't in yet. No, I can't come to-morrow; I shall be very busy—sister may come—thank you."
Both the keen young listeners knew why Miss Tina could not come; it was neither more nor less than the admission fee.
"But I'll take care of that," said Emma to Claudia in the coal hold. "Elly is going to give her and Miss Ally each a season ticket."
"Then we're in for the King George china!" groaned Claudia softly.
"We are," said Emma. "I've put it in a good but not too good a place, and Mr. Winslow is inspecting it now."