Nor can any preacher put in so vital a contrast to this despairing defiance with which pride challenges sorrow, the joyous victory which a trusting love wins over it by submitting to it, as John Greenleaf Whittier has done in "The Eternal Goodness":
"I know not what the future hath
Of marvel or surprise, Assured alone that life and death
His mercy underlies.
"I know not where His islands lift
Their fronded palms in air: I only know I cannot drift
Beyond His love and care."
No philosophical treatise can interpret bereavement as the great poets have interpreted it. The mystery of sorrow, the bewilderment it causes, the wonder whether there is any God or any good, the silence that is the only answer to our call for help, the tumult of emotion, the strange perplexity of mind, the dull despair, the inexplicable paralysis of feeling, intermingling in one wholly inconsistent and incongruous experience: where, in all the literature of Philosophy can we find such an exposition and echo and interpretation of this experience as in that great Hebrew epic—the Book of Job? And where in all the literature of Philosophy can we find such interpreters of the two great comforters of the soul, faith and hope, as one finds in the poets? They do not argue; they simply sing. And, as a note struck upon one of a chime of bells will set the neighboring bell vibrating, so the strong note of faith and hope sounded by the poet, sets a like note vibrating in the mourner's heart. The mystery is not solved, but the silence is broken. First we listen to the poet, then we listen to the same song sung in our own hearts,—the same, for it is God who has sung to him and who sings to us. And when the bereaved has found God, he has found light in his darkness, peace in his tempest, a ray in his night.
"As a child, Whose song-bird seeks the wood forevermore,
Is sung to in its stead by mother's mouth;
Till, sinking on her breast, love-reconciled,
He sleep the faster that he wept before."
The visitor to the island of Catalina, off the coast of California, is invited to go out in a glass-bottomed boat upon the sea. If he accepts the invitation and looks about him with careless curiosity, he will enjoy the blue of the summer sky and ocean wave, and the architectural beauty of the island hills; but if he turns his gaze downward and looks through the glass bottom of the boat in which he is sailing, he will discover manifold phases of beauty in the life beneath the sea waves: in goldfish darting hither and thither, in umbrella-shaped jellyfish lazily swimming by, in starfish and anemones of infinite variety, in sea-urchins brilliant in color, and in an endless forest of water-weeds exquisitely delicate in their structure. Perhaps he will try to photograph them; but in vain: his camera will render him no report of the wealth of life which he has seen. So he who takes up such a volume of poetry as this will find ample repayment in the successive pictures which it presents to his imagination, and the transient emotions which it will excite in him. But besides this there is a secret life which the careless reader will fail to see, and which the critic cannot report, but which will be revealed to the thoughtful, patient, meditative student. In this power to reveal an otherwise unknown world, lies the true glory of poetry. He that hath ears to hear, let him hear what the poet has to say to him.
LIST OF ILLUSTRATIONS.
[HENRY WADSWORTH LONGFELLOW Frontispiece]
Photogravure from photograph by Hanfstaengl after portrait by Kramer.