No one who had ever seen Catherine Morland in her infancy could have supposed her born to be a heroine. Her situation in life, the character of her father and mother, her own person and disposition, were all equally against her. Her father was a clergyman, without being neglected or poor, and a very respectable man, though his name was Richard, and he had never been handsome. He had a considerable independence, besides two good livings, and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution. She had three sons before Catherine was born; and, instead of dying in bringing the latter into the world, as anybody might expect, she still lived on--lived to have six children more--to see them growing up around her, and to enjoy excellent health herself. Catherine, for many years of her life, was as plain as any member of her family. She had a thin, awkward figure, a sallow skin without colour, dark, lank hair, and strong features. So much for her person; and not less propitious for heroism seemed her mind. She was fond of all boys' sports, and greatly preferred cricket not merely to dolls, but to the more heroic enjoyments of infancy--nursing a dormouse, feeding a canary-bird, or watering a rosebush. Indeed, she had no taste for a garden; and if she gathered flowers at all, it was chiefly for the pleasure of mischief--at least, so it was conjectured from her habit of always preferring those which she was strictly forbidden to take.
Such were her propensities; her abilities were quite as extraordinary. She never could learn or understand anything before she was taught, and sometimes not even then, for she was often inattentive, and occasionally stupid. Her mother wished her to learn music; and Catherine was sure she should like it, for she was very fond of tinkling the keys of the old forlorn spinet; so at eight years old she began. She learnt a year, and could not bear it; and Mrs. Morland, who did not insist on her daughters being accomplished in spite of incapacity or distaste, allowed her to leave off. The day which dismissed the music-master was one of the happiest of Catherine's life. Her taste for drawing was not superior; though, whenever she could obtain the outside of a letter from her mother, or seize upon any other odd piece of paper, she did what she could in that way by drawing houses and trees, hens and chickens, all very much like one another. Writing and accounts she was taught by her father; French by her mother. Her proficiency in either was not remarkable, and she shirked her lessons in both whenever she could.
What a strange, unaccountable character! For with all these symptoms of profligacy at ten years old, she had neither a bad heart nor a bad temper, was seldom stubborn, scarcely ever quarrelsome, and very kind to the little ones, with few interruptions of tyranny. She was noisy and wild, hated confinement and cleanliness, and loved nothing so well in the world as rolling down the green slope at the back of the house.
Such was Catherine Morland at ten. At fifteen, appearances were mending: she began to curl her hair and long for balls, her complexion improved, her features were softened by plumpness and colour, her eyes gained more animation, and her figure more consequence. Her love of dirt gave way to an inclination for finery; she grew clean and she grew smart; and she had now the pleasure of sometimes hearing her father and mother remark on her personal improvement. From fifteen, indeed, to seventeen, she was in training for a heroine; she read all such works as heroines must read to supply their memories with those quotations which are so serviceable and so soothing in the vicissitudes of their eventful lives.
So far her improvement was sufficient; and in many other points she came on exceedingly well, for though she could not write sonnets, she brought herself to read them; and though there seemed no chance of her throwing a whole party into raptures by a prelude on the pianoforte of her own composition, she could listen to other people's performances with very little fatigue.
Her greatest deficiency was in the pencil. She had no notion of drawing, not enough even to attempt a sketch of her lover's profile, that she might be detected in the design. There she fell miserably short of the true heroic height. At present she did not know her own poverty, for she had no lover to portray. There was not one lord in the neighbourhood; no, not even a baronet! There was not one family among their acquaintance who had reared and supported a boy accidentally found at their door; no, not one young man whose origin was unknown. Her father had no ward, and the squire of the parish no children. But when a young lady is to be a heroine, the perverseness of forty surrounding families cannot prevent her. Something must and will happen to throw a hero in her way.
Mr. Allen, who owned the chief of the property about Fullerton, the village in Wiltshire where the Morland family lived, was ordered to Bath for the benefit of a gouty constitution; and his lady, a good-humoured woman, fond of Miss Morland, and probably aware that if adventures will not befall a young lady in her own village she must seek them abroad, invited her to go with them. Mr. and Mrs. Morland were all compliance, and Catherine all happiness.
II.--In the Gay City of Bath
When the hour for departure drew nigh, the maternal anxiety of Mrs. Morland will be naturally supposed to have been most severe. But she knew so little of lords and baronets that she entertained no notion of their general mischievousness, and was wholly unsuspicious of danger to her daughter from their machinations. Her cautions were confined to advising her to wrap up well when she came from the rooms at night, and to try to keep some account of the money she spent.
Sally, or rather Sarah, must, from situation, be at this time the intimate friend and confidante of her sister. It is remarkable, however, that she neither insisted on Catherine's writing by every post, nor exacted her promise of transmitting the character of every new acquaintance nor a detail of every interesting conversation that Bath might produce. Everything, indeed, relative to this important journey was done on the part of the Morlands with a strange degree of moderation and composure. Catherine's father, instead of giving her an unlimited order on his banker, or even putting a hundred pounds bankbill into her hands, gave her only ten guineas, and promised her more when she wanted it. The journey was performed with suitable quietness and uneventful safety. They arrived at Bath, and were soon settled in comfortable lodgings in Pulteney Street.