The next that I heard of Mrs. Herne was, as Petulengro told me when we again met, that she had hanged herself, the girl finding her suspended from a tree. That announcement was accompanied by an unexpected challenge from my friend Jasper to fight him. He declared that as she was his relative, and I had been the cause of her destruction, there was no escape from the necessity of fighting. My plea that there was no inclination on my part for such a combat was of no avail. Accordingly we fought for half an hour, when suddenly Petulengro exclaimed: "Brother, there is much blood on your face; I think enough has been done in the affair of the old woman."
So the struggle ended, and my Romany friend once more pressed me to join his tribe in their camp and in their life. I declined the offer, for I had resolved to practice yet another calling, the trade of a blacksmith. I could do so, for amongst the stock-in-trade I had purchased from the tinker was a small forge, with an anvil and hammers.
It has always struck me that there is something poetical about a forge. I believe that the life of any blacksmith, especially a rural one, would afford material for a highly poetical treatise. But a rude stop was put to my dream. One morning, a brutal-looking ruffian, whom I had met before and recognised as a character known as the Flaming Tinman, appeared on the scene, accusing me with fearful oaths of trespassing on his ground. After volleys of abuse, he attacked me, and a fearful fight ensued, in which he was not the victor, for in one of his terrific lunges he slipped, and a blow which I was aiming happened to strike him behind the ear. He fell senseless. Two women were with him, one, a vulgar, coarse creature, his wife; the other a tall, fine young woman, who travelled with them for company, doing business of her own with a donkey and cart, selling merchandise.
While I was bringing water from a spring in order to seek to revive the Flaming Tinman, his wife and the young woman violently quarrelled, for the latter took my part vehemently. When at length my enemy recovered sufficiently to look about him, and then to stand up, I found that his wife had put an open knife in his hand. But his intention could not be carried out, for his right hand was injured in the fight, and was for the time useless, as he quickly realised.
The couple presently departed, cursing me and the young woman, who remained behind in the little camp, and, as I was in an exhausted state, offered to make tea by the camp fire. While we were taking the repast, she told me the story of her life. Her name was Isopel Berners, and though she believed that she had come of a good stock, she was born in a workhouse. When old enough, she had entered the service of a kind widow, who travelled with small merchandise. After the death of her mistress, Isopel carried on the same avocation. Being friendless, and falling in with the Flaming Tinman and his wife, she had associated with them, yet acknowledged that she had found them to be bad people.
Time passed on. Isopel and I lived still in the dingle, occupying our separate tents. She went to and fro on her business, and I went on short excursions. Her company, when she happened to be in camp, was very entertaining, for she had wandered in all parts of England and Wales. For recreation, I taught her a great deal of Armenian, much of which was like the gipsy tongue. She had a kind heart, and was an upright character. She often asked me questions about America, for she had an idea she would like to go there. But as I had never crossed the sea to that country, I could only tell her what I had heard about it.
[The Romany Rye]
In this work, published in two volumes in 1857, George Borrow continued the "kind of biography in the Robinson Crusoe style" which he had begun in the three volumes of "Lavengro," issued six years earlier. "Romany Rye" is described as a sequel to "Lavengro," and takes up that story with the author and his friend Isopel Berners encamped side by side in the Mumpers' Dingle, whither the gipsies, Mr. and Mrs. Petulengro and their relations, shortly afterwards arrive. The book consists of a succession of episodes, without plot, the sole connecting thread being Borrow's personality as figuring in them. Much of the "Romany Rye" was written at Oulton Broad, where, after his marriage in 1840, Borrow lived until he removed to Hereford Square, Brompton. At Oulton, it is worthy of record, gipsies were allowed to pitch their tents, the author of "Romany Rye" and "Lavengro" mingling freely with them. As a novel, the "Romany Rye" is preferred by many readers to any of Borrow's other works.