Cyril is much shocked by the verdict and committal of Everard, but is sure that he will be cleared. "He must be cleared," he says, "at any cost." Pending the assize trial, he baptises three unknown babes in Malbourne Church. When asking the name of one of the children in his arms, he is told "Benjamin Lee." His evident deep emotion at this evokes sympathy from all present. During the trial at Belminster he has a great spiritual conflict in the cathedral while a fugue of Bach's is played on the organ, suggesting a combat between the powers of evil and good. But he feels that he cannot renounce his brilliant prospects. Coming out, he hears that Alma has declared Everard is the man who was with her father when he met his death in the struggle she heard while outside the copse.

Cyril at once rushes to the court, which he had only left for an hour, just in time to hear the verdict, "Manslaughter."

"Stop!" he cries. "I have evidence--the prisoner is innocent!"

The judge, not understanding what he says, orders his removal; his friends, thinking him distracted, persuade him to be quiet while the utmost sentence--twenty years--is given. On hearing this, Cyril, with a loud cry, falls senseless. He remains in delirium many weeks. A pathetic farewell between Henry and Lilian, who is the only believer in his innocence, and who renews her promise to him, closes the first part.

The tragedy, faintly foreshadowed from the first line, and gradually developed from Cyril's self-righteousness and irrepressible joy in Alma's unguarded betrayal of unconscious passion, has darkened the whole story. Sin has engendered sin. Cyril's noble purpose to devote himself entirely to his high calling, and be worthy of it, has become pitiless ambition.

His self-respect, spiritual pride and egoism; his ready tact, social charm, and power of psychological analysis, subtle sophistry and self-deception; his warmest affection, disguised self-love; his finest qualities perverted lead to his lowest fall.

His weak and belated attempt to right Alma's wrong has killed her father. Alma's desecrated love has turned to fierce idolatry, laying waste Lilian's happiness, and working Henry's complete ruin. Cyril's cowardice has delayed clearing his friend till it is too late to save him.

Not poppy, not mandragora,
Nor all the drowsy syrups of the world

will ever medicine again to him that sweet sleep he had before his guilt.

III.--The Darkness of a Prison