There is a little grave in the graveyard, surrounded by an iron railing; two young fir-trees have been planted, one at each end. Yevgeny Bazaroff is buried in this tomb. Often from the little village not far off two quite feeble old people come to visit it--a husband and wife. At the iron railing they fall down and remain on their knees, and long and bitterly they weep and yearn and intently they gaze at the dumb stone under which their son is lying.... Can it be that their prayers, their tears are fruitless? Can it be that love, sacred, devoted love, is not all-powerful?
Oh, no! however passionate, sinning, and rebellious the heart hidden in the tomb, the flowers growing over it peep serenely at us with their innocent eyes; they tell us not of eternal peace alone, that great peace of "indifferent" nature; they tell us, too, of eternal reconciliation and of life without end.
A Nest of Nobles
"A Nest of Nobles" ("Dvorianskoe Gniezdo"), published in 1858, brought Turgenev a European reputation. Of all his novels, "A Nest of Nobles" is probably the best. It has all the love of detail that is peculiar to the Slavonic mind, a trait which is largely responsible for that feeling of pessimism that pervades the writings of all those who have listened to the "still, sad music of humanity." Yet Turgenev is not typical of that Russian school of novelists of which Tolstoy and Gorki are distinguished examples; rather he belongs to the school of Thackeray, George Eliot, and Dickens.
I.--A Student's Marriage
Fedor Ivanitch Lavretsky came of an ancient noble family. His father, a strangely whimsical man, determined that his son should grow up a Spartan. A gymnastic instructor was his principal teacher, although he also studied natural science, mathematics, and international law. Music, as a pursuit unworthy of a man, was discarded. The female sex he was taught to hold in contempt, and all the gentler arts and emotions were rigorously repressed. The boy was conscious of defects in his education, and from his eighteenth year set himself to remedy them as far as he could. His father died when he was twenty-two, and young Lavretsky determined to go to Moscow, in the hope that diligent study might enable him to regain the ground lost in youth.
The whole tendency of his education had been to make him into a shy man: he could not get on with people; with an unquenchable thirst for love in his heart, he had never yet dared to look a woman in the face. Robust, rosy-cheeked, bearded, and taciturn, he produced a strange impression on his companions, who did not suspect that this outwardly austere man was inwardly almost a child. He appeared to them to be a queer kind of pedant; they did not care for him, made no overtures to him, and he avoided them. During the first two years he spent at the University he only became fairly intimate with one student, Mihalevitch by name, for he took lessons in Latin.
One day at the theatre he saw in a box in the front tier a young girl leaning her elbow on the velvet of the box. The light of youth and life played in every feature of her lovely dark oval face; subtle intelligence was expressed in the splendid eyes which gazed softly and attentively from under her fine brows, in the swift smile of her sensitive lips, in the very poise of her head, her hands, her neck.