There are two degrees of pride--one, wherein a man is self-complacent; the other, wherein he is unable to accept himself. Of these two degrees, the second is probably the more subtle.
The whole secret of remaining young in spite of years is to keep an enthusiasm burning within, by means of poetry, contemplation and charity, or, more briefly, by keeping a harmony in the soul. When everything is rightly ordered within us, we may rest in equilibrium with the work of God. A certain grave enthusiasm for the eternal beauty and order; a glowing mind and cloudless goodwill: these are, perhaps, the foundation of wisdom. How inexhaustible is the theme of wisdom! A peaceful aureole surrounds this rich conception. Wisdom includes all treasures of moral experience, and is the ripest fruit of a well-spent life. She never ages, for she is the very expression of order, and order is eternal. Only the wise man tastes all the savour of life and of every age, because only he can recognise their beauty, dignity and worth. To see all things in God, to make of one's own life a voyage to the ideal, to live with gratitude, recollection, kindness and courage--this was the admirable spirit of Marcus Aurelius. Add to these a kneeling humility and a devoted charity, and you have the wisdom of God's children, the undying joy of true Christians.
The Fascination of Love
Woman would be loved without reason, without analysis; not because she is beautiful, or good, or cultivated, or gracious, or spiritual, but because she exists. Every analysis seems to her an attenuation and a subordination of her personality to something which dominates and measures it. She rejects it therefore, and rightly rejects it. For as soon as one can say "because," one is no longer under the spell; one appreciates or weighs, and at least in principle one is free. If the empire of woman is to continue, love must remain a fascination, an enchantment; once her mystery is gone, her power is gone also. So love must appear indivisible, irreducible, superior to all analysis, if it is to retain those aspects of infinitude, of the supernatural and the miraculous, which constitute its beauty. Most people hold cheaply whatever they understand, and bow down only before the inexplicable. Woman's triumph is to demonstrate the obscurity of that male intelligence which thinks itself so enlightened; and when women inspire love, they are not without the proud joy of this triumph. Their vanity is not altogether baseless; but a profound love is a light and a calm, a religion and a revelation, which in its turn despises these lesser triumphs of vanity. Great souls wish nothing but the great, and all artifices seem shamefully puerile to one immersed in the infinite.
Man's Useless Yearning
Eternal effort is the note of modern morality. This painful restless "becoming" has taken the place of harmony, equilibrium, joy, that is to say, of "being." We are all fauns and satyrs aspiring to become angels, ugly creatures labouring at our embellishment, monstrous chrysalids trying to become butterflies. Our ideal is no longer the tranquil beauty of the soul, it is the anguish of Laocoon fighting with the hydra of evil. No longer are there happy and accomplished men; we are candidates, indeed, for heaven, but on earth galley-slaves, and we row away our life in the expectation of harbour. It seems possible that this perfecting of which we are so proud is nothing else but a pretentious imperfection.
The "becoming" seems rather negative than positive; it is the lessening of evil, but is not itself the good; it is a noble discontent, but is by no means felicity. This ceaseless pursuit of an endless end is a generous madness, but is not reason; it is the yearning for what can never be, a touching malady, but it is not wisdom. Yet there is none who may not achieve harmony; and when he has it, he is within the eternal order, and represents the divine thought at least as clearly as a flower does, or a solar system. Harmony seeks nothing that is outside herself. She is exactly that which she should be; she expresses goodness, order, law, truth, honour; she transcends time and reveals the eternal.
Memories of the Golden Age
In the world of society one must seem to live on ambrosia and to know none but noble thoughts. Anxiety, want, passion, simply do not exist. All realism is suppressed as brutal. It is a world which amuses itself with the flattering illusion that it lives above the clouds and breathes mythological air. That is why all vehemence, the cry of Nature, all suffering, thoughtless familiarity, and every frank sign of love shock this delicate medium like a bombshell; they shatter this collective fabric, this palace of clouds, this enchanted architecture, just as shrill cockcrow scatters the fairies into hiding. These fine receptions are unconsciously a work of art, a kind of poetry, by which cultivated society reconstructs an idyll that is age-long dead. They are confused memories of the golden age, or aspirations after a harmony which mundane reality has not in it to give.