A capable statesman, an accomplished diplomatist, and the courtliest and best-bred man of his century, Philip Dormer Stanhope, fourth Earl of Chesterfield, born on September 22, 1694, and dead March 24, 1773, would have been almost forgotten at the present day but for the preservation of his letters to his natural son, Philip Stanhope. It was the ambition of Lord Chesterfield's life that this young man should be a paragon of learning and manners. In a voluminous series of letters, more than 400 of which are preserved, his father minutely directed his classical and political studies, and, above all, instructed him with endless insistence as to his bearing in society, impressed upon him the importance of good breeding, the "graces," and the general deportment required of a person of quality. The letters are a classic of courtliness and worldly wisdom. They were prepared for the press by Philip Stanhope's widow, and were published in 1774, under the title of "Letters Written by the Earl of Chesterfield, together with Several other Pieces on Various Subjects." Since then many editions have appeared, bearing such titles as "The Fine Gentleman," "The Elements of Polite Education," etc.

I.--On Manners and Address

London, December 29, 1747. I have received two letters from you of the 17th and 22nd, by the last of which I find that some of mine to you must have miscarried; for I have never been above two posts without writing to you or to Mr. Harte, and even very long letters. I have also received a letter from Mr. Harte, which gives me great satisfaction; it is full of your praises.

Your German will go on, of course; and I take it for granted that your stay at Leipsig will make you a perfect master of that language, both as to speaking and writing; for remember, that knowing any language imperfectly is very little better than not knowing it at all, people being as unwilling to speak in a language which they do not possess thoroughly as others are to hear them.

Go to the Duchess of Courland's as often as she and your leisure will permit. The company of women of fashion will improve your manners, though not your understanding; and that complaisance and politeness, which are so useful in men's company, can only be acquired in women's.

Remember always what I have told you a thousand times, that all the talents in the world will want all their lustre, and some part of their use, too, if they are not advanced with that easy good-breeding, that engaging manner, and those graces, which seduce and prepossess people in your favour at first sight. A proper care of your person is by no means to be neglected; always extremely clean; upon proper occasions, fine. Your carriage genteel, and your motions graceful. Take particular care of your manners and address when you present yourself in company. Let them be respectful without meanness, easy without too much familiarity, genteel without affectation, and insinuating without any seeming art or design.... Adieu!

II.--On the Art of Pleasing

Bath, March 9, 1748. I must from time to time remind you of what I have often recommended to you, and of what you cannot attend to too much: sacrifice to the graces. Intrinsic merit alone will not do; it will gain you the general esteem of all, but not the particular affection, that is the heart, of any. To engage the affections of any particular person you must, over and above your general merit, have some particular merit to that person; by services done, or offered; by expressions of regard and esteem; by complaisance, attentions, etc., for him; and the graceful manner of doing all these things opens the way to the heart, and facilitates, or rather, insures, their effects.

A thousand little things, not separately to be described, conspire to form these graces, this je ne scais quoi, that always pleases. A pretty person, a proper degree of dress, an harmonious voice, something open and cheerful in the countenance, but without laughing; a distinct and properly varied manner of speaking; all these things and many others are necessary ingredients in the composition of the pleasing je ne scais quoi, which everybody feels, though nobody can describe. Observe carefully, then, what displeases or pleases you in others, and be persuaded that, in general, the same things will please or displease them in you.

Having mentioned laughing, I must particularly warn you against it; and I would heartily wish that you may often be seen to smile, but never heard to laugh while you live. Frequent and loud laughter is the characteristic of folly and ill-manners; it is the manner in which the mob express their silly joy at silly things; and they call it being merry. In my mind there is nothing so illiberal, and so ill-bred, as audible laughter. I am neither of a melancholy nor a cynical disposition, and am as willing and as apt to be pleased as anybody; but I am sure that since I have had the full use of my reason nobody has ever heard me laugh. Many people, at first, from awkwardness and mauvaise honte, have got a very disagreeable and silly trick of laughing whenever they speak.