BOOKS OF BRAHMANISM
Introductory
The religion of the ancient Persians and of the ancient Aryan Indians was at one time the same, and it is easy now to see the common basis of the beliefs and practices embodied in the Hindu Vedas and the Zend Avesta (see ZOROASTRIANISM), and their general resemblance. The religion of the ancient Aryan Indians has passed through three outstanding phases, designated by modern scholars: Vedism, or that taught by the Vedas; Brahmanism, based on the Brahmans, or ritual additions to the Vedas; and Hinduism (q.v.), the form which revived Brahmanism took after the expulsion of Buddhism. Though the latter is strictly an Indian religion, judged by its origin and characteristic features, it has for centuries almost ceased to exist in India proper. It will be found generally true that in Brahmanism there is, as compared with Vedism, an increase of the ritual, and a corresponding decrease of the moral element. The gods become more material, and the means of conciliating them ceremonial and magical. So also there is a growth in the power of the priesthood. One may compare this with the course of development among the Hebrews--the ritual and ceremonial bulking more and more, and the ethical receding, according to most modern scholars. It has to be remembered carefully, however, that the distinction between Vedism, Brahmanism, and Hinduism is more logical than actual. The seeds of Hinduism, even the doctrine of caste, may be traced in the Rig Veda, and a modern orthodox. Hindu will tell you that his principal scriptures are the Vedas, and that his creed and practice have their source in these scriptures. Brahmanism may be represented as a system of law and custom in the Laws of Manu; as a philosophy in the Upanishads; and as a mythology in the Ramayana and Mahabharata.
Mahabharata
The word "Mahabharata" means "The Great Bharata," the name of a well-known people in ancient India. The epic so called is a very long one, containing at least 220,000 lengthy lines. It is really an encyclopaedia of Hindu history, legend, mythology, and philosophy. Four-fifths of the poem consist of episodes, some of them very beautiful, as the tale of Nala and his wife Damayanti. These have no primary connection with the original, though they are worked in so deftly as to make the whole appear a splendid unity. For pathos, sublimity, and matchless language, no poem in the world exceeds this one.
It is arranged in eighteen books, all of which claim to havebeen composed by Vyasa--another name for the god Krishna--who is said also in the course of the epic to have composed the Vedas and the Puranas. This is, of course, mythology, and not literary history.
The historical nucleus underlying this poem is the conflict which raged in ancient India between two neighbouring tribes, the Kurus (or Kauravas) and the Pandavas. But this is worked up into another long tale into which and around which Brahman teachers and philosophers have woven a very network of religious, theosophic, and philosophic speculation. The tale is, in fact, made a vehicle for teaching Brahman ism as it existed in India in the first five centuries of our era, though much of the Mahabharata goes back to a thousand years or so B.C.