They had uncovered the upper part of a figure, the remainder of which was still buried in the earth. I saw at once that the head must belong to a winged bull or lion, similar to those at Khorsabad and Persepolis. It was in admirable preservation. I was not surprised that the Arabs had been amazed and terrified at this apparition. They declared that this was one of the giants whom Noah cursed before the flood, and was not the work of men's hands at all. By the end of March I unearthed several other such colossal figures. They were about twelve feet high and twelve feet long.
I used to contemplate for hours these mysterious emblems, and muse over their intent and history. What more noble forms could have ushered the people into the temples of their gods? They formed the avenue to the portals. For twenty-five centuries they had been hidden from the eye of man, and now they stood forth once more in their ancient majesty.
III.—Unearthing the Palaces of Assyria
As the discoveries proceeded in several successive seasons, they threw vivid light on the manners and customs of the Assyrians. My working parties were distributed over the mound, in the ruins of the north-west and south-west palaces; near the gigantic bulls in the centre, and in the south-east corner, where no traces of buildings had as yet been discovered.
I was anxious to pack some of the slabs, which were of the highest interest, to England. They represented the wars of the king and his victories over foreign nations. Above him was the emblem of the supreme deity, represented, as at Persepolis, by a winged man within a circle, and wearing a horned cap resembling that of the human-headed lions. Like the king, he was shooting an arrow, the head of which was in the form of a trident.
Four bas-reliefs, representing a battle, were especially illustrative of Assyrian customs. A eunuch is seen commanding in war, as we have before seen him ministering to the king at religious ceremonies, or waiting on him as his arms-bearer during peace. Judging from the slabs, cavalry must have formed a large and important portion of the Assyrian armies.
The lower series of bas-reliefs contained three subjects: the siege of a castle, the king receiving prisoners, and the king with his army crossing a river. To the castle, the besiegers had brought a battering-ram, which two warriors were seeking to hold in its place by hooks, this part of the bas-relief illustrating the account in the Book of Chronicles and in Josephus of the machine for battering walls, instruments to cast stones, and grappling-irons made by Uzziah.
A cargo of sculptures had already been sent to England for the British Museum, and by the middle of December a second was ready to be dispatched on the river to Baghdad.
When the excavations were recommenced after Christmas eight chambers had been discovered. There were now so many outlets and entrances that I had no trouble in finding new chambers, one leading into another. By the end of April I had uncovered almost the whole building, and had opened twenty-eight halls and rooms cased with alabaster slabs.
The colossal figure of a woman with four wings, carrying a garland, now in the British Museum, was discovered in a chamber on the south side of the palace, as was also the fine bas-relief of the king leaning on a wand, one of the best-preserved and most highly finished specimens of Assyrian sculpture in the national collection.