Society has really no graver interest than the well-being of the literary class. Still, the writer does not stand with us on any commanding ground. I think this to be his own fault. There have been times when he was a sacred person; he wrote Bibles; the first hymns; the codes; the epics; tragic songs; Sibylline verses; Chaldæan oracles. Every word was true, and woke the nations to new life. How can he be honoured when he is a sycophant ducking to the giddy opinion of a reckless public?
Goethe was the philosopher of the nineteenth century multitude, hundred-handed, Argus-eyed, able and happy to cope with the century's rolling miscellany of facts and sciences, and by his own versatility dispose of them with ease; and what he says of religion, of passion, of marriage, of manners, of property, of paper-money, of periods of belief, of omens, of luck, of whatever else, refuses to be forgotten.
What distinguishes Goethe, for French and English readers, is an habitual reference to interior truth. But I dare not say that Goethe ascended to the highest grounds from which genius has spoken. He is incapable of self-surrender to the moral sentiment. Goethe can never be dear to men. His is a devotion to truth for the sake of culture. But the idea of absolute eternal truth, without reference to my own enlargement by it is higher; and the surrender to the torrent of poetic inspiration is higher.
[ERASMUS]
Familiar Colloquies
Desiderius Erasmus, the most learned ecclesiastic of the fifteenth century, and the friend of Luther and other reformers, was born at Rotterdam on October 28, 1466, and died at Basel on July 12, 1536. He was the son of a Dutchman named Gerard, and, according to the fashion of the age, changed his family name into its respective Latin and Greek equivalents, Desiderius and Erasmus, meaning "desired," or "loved." Entering the priesthood in 1492, he pursued his studies at Paris, and became so renowned a scholar that he was, on visiting England, received with distinction, not only at the universities, but also by the king. For some time Erasmus settled in Italy, brilliant prospects being held out to him at Rome; but his restless temperament impelled him to wander again, and he came again to England, where he associated with the most distinguished scholars, including Dean Colet and Sir Thomas More. Perhaps nothing in the whole range of mediæval literature made a greater sensation immediately on its appearance, in 1521, than the "Colloquia," or "Familiar Colloquies Concerning Men, Manners, and Things," of Erasmus. As its title indicates, it consists of dialogues, and its author intended it to make youths more proficient in Latin, that language being the chief vehicle of intercommunication in the Middle Ages. But Erasmus claims, in his preface, that another purpose of the book is to make better men as well as better Latinists, for he says: "If the ancient teachers of children are commended who allured the young with wafers, I think it ought not to be charged on me that by the like reward I allure youths either to the elegancy of the Latin tongue or to piety." This selection is made from the Latin text.
Concerning Men, Manners and Things
Erasmus issued his first edition of the "Colloquies" in 1521. Successive editions appeared with great rapidity. Its popularity wherever Latin was read was immense, but it was condemned by the Sarbonne, prohibited in France, and devoted to the flames publicly in Spain. The reader of its extraordinary chapters will not fail to comprehend that such a fate was inevitable in the case of such a production in those times. For, as the friend of the reformers who were "turning the world upside down," Erasmus in this treatise penned the most audacious, sardonic, and withering onslaught ever delivered by any writer on ecclesiastical corruption of religion. He never attacks religion itself, but extols and defends it; his aim is to launch a series of terrific innuendoes on ecclesiasticism as it had developed and as he saw it. He satirically, and even virulently, attacks monks and many of their habits, the whole system of cloister-life, the festivals and pilgrimages which formed one of the chief features of religious activity, and the grotesque superstitions which his peculiar genius for eloquent irony so well qualified him to caricature.